Imagine 2015 Review: TURBO KID Splatters Everyone With Fun

(Gory equals glory with lots of guts!) Saying Turbo Kid is Mad Max on BMX-bikes may be a quick description, and not exactly misleading, but it's also selling the film a bit short. For starters it fails to show Turbo... More »
By Ard Vijn   
  

Now On Blu-ray: Duke Mitchell's MASSACRE MAFIA STYLE And GONE WITH THE POPE From Grindhouse Releasing

Grindhouse Releasing completes a journey of nearly 20 years with the recent Blu-ray releases of Duke Mitchell's Massacre Mafia Style and Gone With the Pope. Co-founders Bob Murawski and Sage Stallone began this saga back in the mid-'90s with the help... More »
By J Hurtado   
  

SXSW 2015 Review: DEATHGASM Rocks!

Not since the days of video store browsing has there been a horror movie quite as demonically satisfying as Deathgasm. This is simply because they just don't make 'em like they used to. But even when they used to, more... More »
By Zach Gayne   
  

SXSW 2015 Review: UNCLE KENT 2 Doesn't Care About This Review

...If it did, this write up would be for a very different film. One, perhaps, closer in resemblance to Uncle Kent 1 - a Joe Swanberg Sundance selection from 2011 that, by no means, begs for a sequel.So what is... More »
By Zach Gayne   
  

Review: COMMUNITY S601 & 602, "Weird, Passionate, And Gross."

"And Jesus wept. For there were no more worlds to conquer..."You'll excuse me for paraphrasing Dean Pelton's own paraphrasing of Hans Gruber and Alexandre The Great, but not only was his line one of the funniest bits on the second... More »
By Ben Umstead   
  

Now On Blu-ray: AN AMERICAN HIPPIE IN ISRAEL Is One Far Out Trip

Shot in 1971, released in 1972, and almost immediately forgotten, Amos Sefer's An American Hippie in Israel was a cult classic just waiting for a rebirth when the film was found by Grindhouse Releasing co-founder, Bob Murawski. Murawski is best... More »
By J Hurtado   
  

Rotterdam 2015 Review: HARUKO'S PARANORMAL LABORATORY Drowns In Quirk

(I'll never yell at my television again, lest it suddenly changes into an attractive member of the opposite sex... hey, wait-a-minute!) Last year, Japanese director Lisa Takeba presented her first feature film The Pinkie at the International Film Festival Rotterdam... More »
By Ard Vijn   
  

Rotterdam 2015 Review: ANOTHER TRIP TO THE MOON Is Both Sedate And Trippy

(Once upon a time, there were two beautiful young women, hunting in a forest...) What is the border between still photography and moving pictures? Footage shot by a camera pointed at a waterfall or a fireplace may technically be the... More »
By Ard Vijn   
  

Sundance 2015 Review: ENTERTAINMENT, Seeking The Legendary Laugh To Masterful Effect

Many would say there are two distinct poles to cinema-going. There are those times when you want something warm and familiar. It's comfort food you can share with your family. Not too sweet or sour, not too heavy. And then... More »
By Ben Umstead   
  

Slamdance 2015 Review: THEY LOOK LIKE PEOPLE, DIY Terror At Its Very Best

It begins in the dark hollows of your mind. But you can feel it in your heart. Pumping through your veins. The notion that something is wrong. That the world is wrong. That reality is not what it seems. That... More »
By Ben Umstead   
  

Sundance 2015 Review: THE OVERNIGHT Goes There

It's so incredibly tempting to reveal all the bizarre places Patrick Brice's new film, The Overnight, takes its audiences, who, if they're anything like this viewer, will likely watch the film with mouths gleefully agape.The film opens in the bedroom... More »
By Zach Gayne   
  

Sundance 2015 Review: H. Explores The Strange Dissonance Of Coupling

There's something strange in the waters of Troy, New York. Something life-changing in the skies. Some of us can see it, some of us can hear it. Some of us will wander into the woods to find it, leaving our... More »
By Ben Umstead   
  

Sundance 2015 Review: HELLIONS, A Monstrous Misstep

Hellions, Journeyman director Bruce McDonald's first foray into horror since 2008's slow-cooker Pontypool, is a maelstorm of horror traditions and tropes, good and bad alike. While the film is never boring for its constant barrage of evocative imagery, cacophonous score... More »
By Ben Umstead   
  

Slamdance 2015 Review: FEMALE PERVERT Cuts Cute With Gender Roles

Sex. We wouldn't be here without it. And we sure do like it. But who wants to talk about it? Especially all those particulars...Filmmaker Jiyoung Lee is ready to though, and her intelligent, equally charming and cheeky examination on female... More »
By Ben Umstead   
  

Slamdance 2015 Review: RATTER, A New High Mark In Cyber-Suspense

Since the very beginning of the medium, cinema has been inextricably linked to voyeurism.For to see, we have to look. And sometimes that's in wrong or uncomfortable places. We are, as an audience -- at home, in the theater, sitting... More »
By Ben Umstead   
  

Review: Shankar's I: A Tale Full Of Sound And Fury, Signifying... Something?

I have a problem.I am a great admirer of Shankar, the director of I. Even when his films aren't great, as in the case of something like his take down of India's insidious corruption problem, Sivaji, they are engaging and... More »
By J Hurtado   
  

Review: SyFy Returns To Space With Mini Series ASCENSION

SyFy returned to the space last night with Ascension, its first scripted space opera since Battlestar Galactica. Some 51 years after launching an interstellar spacecraft into space, the crew of the Ascension, descendants of the original crew, are almost at the point... More »
By Andrew Mack   
  

Blu-ray Review: KILL LA KILL Kicks Ass And Has A UK Boxset

(For those with a sailor-suit fetish and/or a certain sense of humor, Christmas sure has arrived early...) Confession time: when the first trailer and images of the anime series Kill La Kill appeared on the Internet last year, I thought... More »
By Ard Vijn   
  

Book Review: APPROACHING THE END Brings Us To A New Understanding Of Apocalyptic Cinema

We are living in a cinematic world. It seems that every day that passes it becomes more and more apparent that our experience of the world, how we see it and build our opinions based on it, is being strongly... More »
  

Toronto After Dark 2014 Review: HELLMOUTH Is One Man's Existential Crisis

Ubiquitous character actor Stephen McHattie is always a pleasure to see up on the big screen. From supporting roles in Hollywood films like The Fountain, Watchmen and A History of Violence, to central performances in indie Canadian productions like the... More »
By Kurt Halfyard   
  
 
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