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THE LEGEND IS BORN - IP MAN Review

by James Marsh, July 18, 2010 6:05 AM


Thanks in large part to the success of the Wilson Yip/Donnie Yen films, this prequel makes its way to the screen, helmed by prolific schlockmeister Herman Yau and with the full blessing of Ip Man's own son, Ip Chun, who also makes a memorable appearance as one of the wing chun master's mentors. 

Beginning in 1905 the film charts Ip Man's (To Yu Hang) formative years as he enrolls in Master Wah Shun's (Sammo Hung) wing chun academy, along with his adopted brother Tin Chi (Fan Siu Wong). There they meet Mei Wai (first played by CJ7's Xu Jiao, then later by Rose Chan) and the three form a tumultuous love triangle that over time will see Mei Wai's love for Ip Man go largely unrequited while she is wooed by Tin Chi. After an all too brief cameo, Sammo's character dies, and the school is taken over by Brother Chung So (Yuen Biao), who is eager to preserve the purity of authentic wing chun. He despairs when Ip Man returns to Foshan from Hong Kong (where he encounters a sub-Twister moronically racist expat) displaying all-new moves acquired by an elderly but highly proficient herbalist named Leung Bik (the 86-year-old Ip Chun, who also serves as a consultant on the film).

As the Japanese slowly encroach on the daily lives of our heroes, Ip Man also begins his relationship with Wing Shing (Huang Yi), daughter of Foshan's deputy mayor (Lam Suet) and the plot evenly divides its time between romance, historical pre-war drama and martial arts action. There are plenty of opportunities for the numerous supporting actors to show off their skills and Sammo Hung, Yuen Biao, Fan Siu Wong, Ip Chun and even Bernice Liu (as a Japanese heavy) all get their moment in the spotlight - with Ip Chun's pharmacy sparring match emerging as a personal favourite.

While Yau's film may lack the lavish production values of Wilson Yip's "official" Ip Man films, it does a fairly decent job of emulating a similar mood and aesthetic throughout. Like those films, THE LEGEND IS BORN also loses the plot slightly in its final third, where historical accuracy takes a backseat in favour of a full-on action movie finale, complete with betrayals, reveals, kidnappings and damsels in distress that would be more at home in a campy superhero flick than what was earlier purported to be a straight-up period biopic.

There are no real standout performances in the film. To Yu Hang is rather uncharismatic as Ip Man, and the supporting cast is equally low key, but nobody jars or feels out of place and their genuine martial arts proficiency more than makes up for the lack of thespian showmanship. While there is nothing in this film that cannot be found, or perhaps seen better executed, in any other recent Ip Man movie, Herman Yau delivers a far more competent slice of fight-infused drama than was expected, and can sit more than comfortably alongside its contemporaries.

Cross published in bc Magazine (Hong Kong)


3 Comments

Respectfully, This feels like a b or even c-movie review. dont get me wrong i love MA movies but this is a tvb cash-in with obvious made for tv parallels with the hit movie. its like watching robocop for the first time and then giving a review to the tv series with the same amount of critical attention. yeah its got the names samo hung yuen biao etc in it but is this really worth reviewing with a plot like this :

' After an all too brief cameo, Sammo's character dies, and the school is taken over by Brother Chung So (Yuen Biao), who is eager to preserve the purity of authentic wing chun. He despairs when Ip Man returns to Foshan from Hong Kong (where he encounters a sub-Twister moronically racist expat) displaying all-new moves acquired by an elderly but highly proficient herbalist named Leung Bik '

hell i love stuff like this but then you may as well give five fingers of death or secret rivals 2 a review. heck why stop there , how about game of death 2, and golden dragon vs silver snake...you get my point, hopefully.

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This review was written originally for a locally published Hong Kong magazine for the film's theatrical release last month. I do my best to give every film the same attention and highlight aspects of the story and the production that I believe potential viewers will want to consider before parting with their hard earned cash.
In my experience Twitch readers enjoy to learn whatever they can about new releases from all over the world, whether they are A-list movies or not, so I have shared my thoughts here. Herman Yau has a healthy following, and the film features some decent fight sequences from some of the best in the business. Hopefully people are interested at least to read about this, if not actually see the film.
If you are suprised to see coverage of b or even c grade movies on this site you may have failed to grasp a key element of Twitch's modus operandi: "Spreading the news on strange little films from around the world."
Enjoy.

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everyone don't listen to this review!

this movie was actually amazing when I saw it! and Yes it is better than Donnie Yen's Ip Man 1 & 2! Better in fight pacing and story! Both fight choreography are good and I asure you will not be disappointed.

Dennis To is amazing, he looks like Donnie Yen and he's as fast as him!
Dennis To actually got a nominated award and he deserved it because if you look at his acting in this movie, he does act similar to how Donnie Yen would act!


This review is just another shamble review. Reminds me of the hate review of Ong Bak 2.

I would suggest people should watch a movie critics always hate because you will end up liking it then the critic.
Remember Crouching Tiger Hidden Dragon? how terrible the movie was and critics rated it and hailed it as amazing.

Yes that's the major difference.
This James reviewer is obviously being baised towards this movie. Because this movie actually plays close to realism in terms of Ip Man's life while Donnie Yen's version were all fake.
The story was really engaging and didn't portray too much China Nationalism trash.


I would suggest people to give this movie a go!


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