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The RZA's Martial Arts Film THE MAN WITH THE IRON FIST Now Shooting In China

by Todd Brown, January 4, 2011 1:17 PM


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Though details are scarce it appears clear that The Man With The Iron Fist - the twenty million dollar martial arts film directed, written, and produced by the RZA who also stars in the lead - is now in active production in China.

Co-producer Eli Roth, who helped develop the concept with RZA, tweeted on December 22nd that he had arrived in Shanghai, saying that "the Chinese film crew are so fast and efficient I feel like I'm watching an episode of Benny Hill."

The fact that Roth is on hand and taking an active role is, I think, a good thing and the only real chance that this film has of success. And I feel that way for a very simple reason. Strip away the RZA's celebrity value and what you're left with is a man with very limited acting experience whose only previous directing experience is with self financed, self produced projects that even he doesn't consider good enough to show to anyone. And putting someone like that into such a multi-hyphenate position where he is responsible for so much on the practical end risks completely overwhelming him without a firm hand to support and guide. And that's before you even get into the pressure being placed on him to carry the film as the lead actor - a position he has never been in before. Don't get me wrong, I'd really like the film to succeed, but placing this much money and this much responsibility on a man who has never filled any of these roles in any significant way before is a simply massive gamble.

[Updated with word from those close to the production that Tarantino is NOT in China after all.]


43 Comments

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I feel better now. Really high hopes for this project, nothing wrong with calling in some help. Don't want RZA to end up like Tony Jaa.

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The addition of Russell Crowe got me excited, but I'm really curious about what the tone of the film will be. I know that RZA loves his Shaw Brothers, but I wonder if this will move a bit closer to KILL BILL territory...

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Last I heard Crowe was denying involvement and the IMDB still list him only as rumored.

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"This much money"...? Isn't 20 million dollars almost a low budget film by today's film-making standards? It's not as if the RZA has been greenlighted to do a Gone With The Wind or Wizard of Oz remake. I, for one, am excited about watching this when it is released. I can only hope I can see it at 3AM on a Saturday night in a Times Square movie theater, like I used to watch Shaolin Master Killer (known properly as 36th Chamber of Shaolin) and Master of Disaster (still looking/hoping/waiting for the Blu-ray of that one). This is a passion project; given the consistent level of passion that the RZA has demonstrated towards the subject matter for his entire career, I'm confident that he will do just fine.

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It's not much money by Hollywood Summer Blockbuster standards, but 20 million is still a lot of money in most anyone's book.

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When Terry Gilliam and David Lynch can't get greenlit at thirty, yes, it's a lot of money. When Eli's previous producing effort - which had an experienced, award winning director - was budgeted at only two, yes, it's a lot of money. When the highest budgeted film of Eli's own career (Hostel 2) was only half of this, yes, that's a lot of money.

This is a guy who has never been involved on the production side of a professional production. Ever. To my knowledge he's never had to manage a professional crew. People coming in with this level of experience typically have to prove themselves with something in the three million or lower range before graduating to the five to ten range before MAYBE being given a sniff of this sort of budget.

Twenty million is a lot to piss away on an inexperienced director. And that's before you even get into the fact that it's twenty million being spent on a film whose lead actor has NEVER done anything more substantial than what really boil down to walk on parts. And then you compound this fact by having the wildly inexperienced lead actor being directed by a wildly inexperienced director who also happens to be himself. Get the picture?

Passion's great and all but lots of people are really passionate about things they're really shit at. Take Madonna and her film career, as an example, if you're curious about what can happen when a musician decides they are also an actor and director and uses their name value to make it happen regardless of experience or talent. Hell, she very nearly put an end to Guy Ritchie's career in the process and that guy's actually GOT talent.

I'm not saying that RZA is going to be another Madonna, I'm just saying that NOBODY KNOWS because of his lack of experience. If he wants to make a film, that's great but he's skipping a LOT of stages in the learning process while heaping a HUGE level of responsibility on himself by serving as star / director / writer / producer simultaneously. And while as a fan of the genre I'd love for this to work and be a big success and trigger more films of the type being greenlit the fact is that if you step back and look at it objectively there are a LOT of warning signs that this could be a disaster waiting to happen while the only real argument for him doing it is that he had a band named after a martial arts clan and is a fan. And that's not much of an argument.

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I'm with you Greg, only passionate kung fu heads will really enjoy this film, unlike some other people who constantly want to knock the RZA down or keep bringing up his experience factor every chance he gets!!Todd acts as if it's his own money being given to the RZA for this movie!!lol! Let the man make the movie and then go see it and judge for yourself!

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If "only passionate kung fu heads will really enjoy this film" it should be made for three to five million, not twenty. At that level it will succeed and have a chance of both allowing RZA to continue making films and encourage the studios to continue backing martial arts.

If they make it for twenty, then spend another twenty to thirty in marketing (which is quite a small P&A spend) and then "only passionate kung fu heads" really enjoy this film, you know what happens? It opens like Ong Bak - 1.3 million on five hundred US screens, total US box office under five million - takes a major loss and regardless of if it's good or not you have a situation like Scott Pilgrim where it's automatically considered a failure by the decision makers in the studios. Bad for RZA, bad for the genre, bad for fans. You're arguing against yourself.

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Indeed.

I think RZA has the passion, but we don't know how this is going to turn out, given his inexperience dealing with a budget that big and a crew that large (a good number of which speak another language). Fanmade films made for Fans can still be bombs (anyone remember The Last Airbender?). And then there are fanmade films that are great but bomb at the box office (perfect examples were Kick Ass and Scott Pilgrim). 20 Million is a lot. It puts it in the realm of small Hollywood Blockbuster. My fingers are crossed, though, as i want this film to be great. I'm just not getting my hopes too high.

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Just curious, but does anyone know if RZA has any martial arts background?

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He's been training, apparently, and the IMDB lists Marrese Crump (who is really, really good) as his stunt double.

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"The fact that Roth is on hand and taking an active role is, I think, a good thing and the only real chance that this film has of success."


Or perhaps RZA, directing his third feature, learned something from his previous two unreleased, ultra-low-budget efforts. Eli Roth's involvement certainly helps the film's odds - he'd previously been involved with post-production on the unreleased RZA-directed WU-TANG VS THE GOLDEN PHOENIX - but it's by no means the ONLY real chance it has of success.

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Two amateur films made without professional crew that turned out so badly that their creator refuses to show them to anyone do not inspire confidence. I made some amateur films in high school and I'm a knowledegable fan of the genre, can I have twenty million dollars, please?

That said, I know people who are involved in the production and they tell me that he's doing really, really well and came VERY prepared. So that's good.

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It's precisely because he's keeping BOBBY DIGITAL and WU-TANG VERSUS GOLDEN PHOENIX on the shelf where people can't see them that I'm not worried. He could have dumped both straight to video and recouped some of the money he poured into the productions, but he opted to try again to create something a bit more release-worthy.

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While it's better that he can recognize that he's made something shitty than mistake it for having made something good, recognizing that you've made something shitty does not necessarily mean that you CAN make something good.

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Since when did having Eli Roth around makes for a bonafied hit?Tarantion yes, but Eli?come on Todd! Stop the hatin!!You trying your best to knock this movie for whatever reason, maybe RZA didn't give you an autograph after a concert or something, but I do understand you gettin around the fact that a studio gave a black artist money for one of his passion projects.Obviously they saw something you didn't Todd! Get over it already!!

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This is one of the funniest things anyone has ever posted here. Thanks for that.

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Before Tarantino made Reservoir Dogs he was "a man with very limited acting experience whose only previous directing experience is with self financed, self produced projects that even he doesn't consider good enough to show to anyone." ...oh my bad we were talking about the RZA.

Come on, all these first time directors come out of nowhere. And it ain't the Rza's problem or fualt if Gilliam or Aronofsky don't get the money they deserve.

How much do you wanna bet this film turns out to be a Juaquin Pheonix-esc documentary about a film gone wrong (or even Red Trousers)?

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And he started by making what is essentially a single room chamber drama on a manageable scale, progressing from there once he proved he had the skills. If Tarantino had spent twenty million dollars making Reservoir Dogs (total US box office take: 2.7 million) you'd never, ever have heard from him again and all the people who had approved the budget would have been fired.

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Nothing against Todd, by this point it's pretty obvious you don't hesitate to push your bias regarding directors and projects. You will pimp something like Merantau, a very lousy movie with mediocre fights, then go and flame something like Ong Bak 2, guess that one was lacking your name in the credits. You pimp torture-porn garbage like A Serbian film, but somehow I Saw the Devil is a film without "soul". You criticize Michelle Yeoh for not being in crap like the Matrix sequels, but being in crap like the Mummy 3 seems to be ok with you. Your review of Avatar pretty much smelled of James Cameron's cologne all the way to here, the list goes on and on.

Again, you have your preferences, we all have them, just be a bit more honest about why your prefer some stuff over other.

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Research is a good thing. I'm not at all a fan of The Mummy 3 (and have said so publicly, the only good bit about it is Anthony Wong) and NEVER reviewed Avatar AT ALL. I didn't even see it until over the holidays when my mom popped on the BluRay. Seriously.

You are right, though, that I'll take A Serbian Film over I Saw The Devil because it's actually about something and I don't believe I Saw The Devil is, though if you go back to my review you'll see I also said that ISTD is - like all of Kim's films - as close to technical perfection as you're likely to ever see on screen.

And, yep, I like Merantau better than Ong Bak 2, again largely because of the story elements. OB2 is a wretched mess in the storytelling department, a film that was a literal disaster throughout the entire production process and the on set problems are FAR too evident on screen. And, I'm far from the only person who pointed out those exact problems with OB2 while also liking Merantau. I actually have a file of press quotes about Merantau around here somewhere if you'd like a sampling.

And I do think it would have been a VERY good career move for Michelle Yeoh to have made the Matrix sequels instead of The Touch and Silver Hawk - a mistake her career is only recovering from now with Reign Of Assassins and the new Besson film.

You can call it bias if you want, I call it editorial voice. Of course my reviews and articles reflect my opinions, whose else are they going to? When writing my pieces I state my opinions and judgements as I see them and present my reasons why. that's what they're for. You don't agree, fine. Focus on the other writers at Twitch - which is precisely why I have ALWAYS maintained a range of voices here who hold different tastes and opinions and have encouraged them to be vocal about them even (and often ESPECIALLY) when we disagree wildly on a film. Enter the Void is a good example of that - Kurt declared it the film of the year while I think it's a pretentious waste of a prodigious talent. Twitch has always valued having a range of voices and opinions. But welcoming other opinions doesn't mean I have to change mine.

And don't ever start a piece with "Nothing against Todd" and then end by questioning my honesty. My reasons for preferring certain things ARE STATED IN THE ARTICLES. That's why I write them. There really should be no doubt at this point WHY I have misgivings about Iron Fist. And when there's a potential conflict of interest - as with Merantau - I declare it publicly. You only know I was involved because I told you. Where's the dishonesty there? If that is what you consider dishonest, then feel free to go read some other site.

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I just looked up my Mummy review (which actually appeared on Showcase.ca and not on Twitch at all) and I'd forgotten about some John Hannah moments. He's good in that film, too. But, opening line from the final paragraph: "My hunch is that Tomb of the Dragon Emperor will spell the end of the Mummy franchise." I'm just sayin'. If you're gonna put words in my mouth, make sure they're mine.

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I apologize for the Avatar thing, or any other piece of data i didn't give the proper research and claimed it was yours. As for the Merantau/OB2 , here's where i say you are not evaluating both films properly. Merantau has NO story pretty much, is a series of barely connected fight sequences, most of the not very well directed. Ong Bak 2 has well directed fights, anyone can see it. A Serbian Film is about just one thing: shocks. It wants to be the next "extreme" film to get all the headlines for the violence and nothing more. Heck, that's fine, what i find silly is when this movies, and their makers, try to sell them as some form of socio-political statement. Now that's funny as hell, because nobody is going to remember that movie, aside from the usual "gore-hounds", and none of them will remember it as anything else beyond a parade of cheap shocks.

Also, nobody got any real benefit from doing the matrix sequels, aside from a pile of money of course. How many lead roles is Jada Pinket Smith getting these days? Again, why you keep ignoring or denying these obvious facts is beyond me. But anyway, let's call it a day, agree to disagree and so on. We won't reach any agreement here for sure.

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I'm happy to disagree on Merantau and A Serbian Film as what people LIKE is a matter of taste. But disagreeing with you is NOT going to lead me to spouting off about you being 'dishonest' or 'improper'. It's a disagreement, nothing more. Ask me in five years whether either film has made a lasting impact and we can have a meaningful discussion based in something other than opinion about it then.

Your 'obvious facts' about The Matrix are nothing but, though. Actual facts about the people involved:

Jaden Smith was about five when Jada shot The Matrix movies and through his early years Jada and Will made a conscious decision - one they talked about publicly at the time - that one of them would always be home with him while he grew up. You can see it in their work habits at the time, they never took on jobs simultaneously. What Jada did or didn't do in that period has to do with her family, not her opportunities.

Further, even with that deliberate slowing of her work pace Jada has continued to work at pretty much the same pace post-Matrix as she did pre-Matrix, except in higher profile projects and is currently the lead in a television series.

Michelle Yeoh, on the other hand, went from being one of the most highly thought of and sought after international actresses in the world, coming off of the Bond film and Crouching Tiger, then turned down The Matrix to do her self produced flops The Touch and Silverhawk. These movies nearly became to Michelle what Cutthroat Island and The Long Kiss Goodnight were to Geena Davis: career enders. She has landed only two roles in Chinese productions since then, one of which was cut entirely out of the movie (Fearless) while every single one of her international productions has flopped. She hadn't had a true success, and had failed to land a single lead role anywhere in the world despite having been a lead throughout her entire career, in the eight year span between turning down The Matrix to make The Touch and Silverhawk instead until Reign of Assassins this year. That decision is far and away the worst single move that Michelle Yeoh has made in her career. ANYTHING would have been better for her than The Touch / Silverhawk and the Matrix films would have been, at worst, career neutral.

And for The Matrix not helping anybody's career ... well, Colin Chou - the guy who actually took the role intended for Yeoh - would disagree. He went from being a well thought of but seldom used fight guy in Hong Kong to working steadily in a string of high profile, high budget successes.

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You're entitled to your opinion, but I thought Merantau was good while Ong Bak 2 was a mess. The Matrix sequels were decent compared to the crap Yeoh starred in around the same time.

And really, where the hell did all this hate on Todd come from anyway? He simply pointed out that having someone of limited film experience shoulder so much responsiblity is a big gamble financial-wise where a $20 million movie is concerned, and that is absolutely true. He never wished RZA ill, nor did he ever claim that the man is incapable of making a good film.


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He never wished RZA ill, nor did he ever claim that the man is incapable of making a good film.


To be fair he did say "The fact that Roth is on hand and taking an active role is, I think, a good thing and the only real chance that this film has of success." That's not exactly saying that RZA's incapable of making a good film, but it's pretty close. But you're right to say that there's no rooting for RZA to fail here. Failure is merely the expected outcome.

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What I've actually said - repeatedly now - is that while I'd like to see the film succeed I don't believe RZA has shown himself capable of delivering (I don't believe he's shown anything at all, in fact) and history tells us this will most likely fail.

I'm absolutely NOT rooting for him to fail. That'd be nothing but bad for a genre I love and for someone who seems like a solid enough guy. I didn't actually meet him at Fantastic Fest this year but I was there when the whole karaoke thing went down and the guy seems like pure class. I'd LIKE to see him succeed.

But that doesn't change the fact that taking someone who, by his own admission, has never produced anything good, has never worked with a professional crew, and has never been anything more than a tiny bit part actor in any film and giving him free rein as writer / producer / director / star of a significantly budgeted, international production is almost certainly a recipe for disaster. If something is going to save this it's having someone with experience on hand who can recognize if / when things are going off the rails and pull it back in, which is what Eli is there for.

Want me to change my thinking? First of all what YOU can do is give me a better reason to than he knows his shitty films were shitty. Find me a counter example. Find me a single person in a comparable situation who has actually succeeded as opposed to people who have been in this situation and failed. Nobody defending the project has even TRIED to do that yet, you all just retreat into "He's a fan! He's got passion!" Well, I watch loads of shitty but passionate fan made films every year while programming festivals and you should be thankful I don't inflict any of them on audiences. Give me something real. What the RZA can do to change my mind is release some decent stills and footage. If the materials look good once they start coming out I'll be more than happy to say so and push / support the film any way I can.

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"That's not exactly saying that RZA's incapable of making a good film, but it's pretty close."

Ehh, NO.


That's referring to THIS project, at THIS point in time of RZA's skills and experience. The guy is shouldering a massive amount of responsibility and he is largely unproven.


I'd love to see him succeed, but I acknowledge the big gamble involved for the producers.

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What I do know is alot of actors have desires to one day become directors, and some of these actors are able to make smooth transitions into directing, by not taking courses, but paying attention to everything, technical wise around them..now with that being said, how come the same can't be done by a rap star or singer?Todd do you realize how many videos and other films the RZA has been in and been apart of? Countless! And he's always said he would pay attention to the technical aspect of those productions, so he was just soaking up all of this knowledge like a sponge until the right time came...and now it's here and he has to deliver!!

And if the film is 20 mill is that in American $ or yuan?If it's 20 million american, than this would be like 5 times the value since it's shooting in China, with all chinese crews! It should at least look epic in it's scale, wardrobes and sets too. I expect this will be different from the what we've seen lately, don't know if it's a good thing or bad thing, but as long as they cut down on the wire work and give me some straight up bloody, fight to the death kungfu kills that I'm down for it!

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Yes, a lot of actors do transition. But they don't transition straight into a job where they are simultaneously a) acting b) fighting c) directing d) producing e) writing, which means he is responsible for any last minute changes that need to be made to the script. Which happens every day.

He is now in control of a crew of probably between fifty and seventy five people on set with him at all times, many of whom do not speak his language. He has to learn his lines. He has to learn his fight choreography. He has to act. And he has to do all of that while also simultaneously making sure that every single one of those people - all of whom are doing jobs that he has never done and never supervised before, many of whom he cannot communicate directly with - are doing their jobs and doing them efficiently.

When you haven't run a set before, how do you recognize if people aren't doing their job properly? When you haven't run a set before and are running a set that, by its very nature, is going to function in a completely different way than any you have been on before, how do you manage workflow to make sure everything is prepared and ready when you need it? How do you practice your choreography while also planning the next day's shot list?

You know who had more experience and less responsibility than this when he first stepped into the director's chair? Tony Jaa. You know how that ended up? He crumbled under the pressure, ran wildly over schedule and over budget and mortgaged his own home before running off into the jungle and disappearing for two months in the middle of the shoot. He's now living in a Buddhist monastery, I believe to escape public scrutiny and duck out of the end of his contract with Sahamongkol.

You're absolutely right RZA has to deliver. That's what I'm worried about. He has to deliver as an actor, which he has never done before. He has to deliver as a director, which he has never done before. He has to deliver as a writer, which he has never done before. He has to deliver as a producer, which he has never done before. If he fails on any one of those levels the entire project falls apart. And he has to do them all simultaneously.

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Like I said to Rhythm-X up above, you are completely, 100% living on hope. If you want to actually make a case for yourself here, go out and do some research. Come back when you've found some examples of someone who has successfully made the transition that RZA is trying to do here.

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We'll don't think they don't have bilingual assistant directors over there to help with all of this either! To make this transition go more smooth. Tarantino did it during Kill Bill, and I'm sure RZA is using some of the same crew members. And those writing duties will also be Eli's responsibilities too, since he co-wrote the screenplay. They rehearse the fight choreography mainly in the early mornings, then they shoot those scenes.

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Yeah, of course there will be translators there. The point is this is a ridiculous amount of responsibility to heap on somebody who has never done ANY of it before. I'm not kidding, though, go out and see if you can find ANYONE who has ever successfully pulled off something like this before. I can't think of a single one.

And, yes, Eli's role there was a major point of my initial post on this: "The fact that Roth is on hand and taking an active role is, I think, a good thing and the only real chance that this film has of success."

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Frankly, if that 20 Million USD is a fact and not just a rumor, I'd be very surprised if Roth is the only famous helping hand behind the scenes.

What wouldn't surprise me is if this turns out to be a very slick production and we've all been bamboozled into spreading the legend of the "suddenly astonishingly talented RZA".

Crazy conspiracy theory which I hope to be true:
This film is going to be like an anonymous Beatles record, with RZA playing the role of Ringo Starr. Eli is Paul McCartney. George and John haven't revealed themselves yet but I have a hunch or two who they might be. And it's being publicized as a Ringo Starr record, because it gets more tongues wagging at this point.

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The 20 mil is what was reported in the trades, so it's as reliable as these numbers can be. As to your conspiracy theory ...


Tarantino is directly involved as a producer. that's public record. I know from people involved in the production that he is NOT in China, though, so not as hands on as Eli at this stage. And what I'm being told is that it really is RZA directing with Eli on set as a resource / trouble shooter. Eli and Quentin were both involved in developing the story, though, so who knows how involved they were in pre-production and prepping the crew.

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If that 20 Mln is true, my guess is there is a big name involved we haven't heard from yet. Quentin's pet projects haven't all been financially successful (cough) so I'd doubt people would fork over that kind of money just for his and Eli's pretty eyes.

Maybe RZA beats up Mel Gibson in front of the camera for 15 Mln?
;-)

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I certainly HOPE there's a big, unannounced name or two in the cast because right now the two biggest confirmed names are RZA himself (who has never done more than a bit part) and Cung Le and you're not selling 20 million worth of tickets based on that. And even if the Russell Crowe thing ends up being true, his films haven't made money in years and seriously ... can you imagine a bunch of fifteen year old kids saying "I'm going to see that Russell Crowe kung fu film!" It just aint going to happen. A film on this scale needs around a ten million dollar first weekend at the US box office to have a shot at recouping and you need more on the poster than they've got now to get that.

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"you all just retreat into "He's a fan! He's got passion!"



I can't seem to find where I said that, so please don't "you all" me in with people who ARE saying it unless you're privy to a link I can't locate. Thanks.


My lack of fatalism is not based on OMG WU TANG WU TANG or his history as a passionate fan (though that certainly doesn't hurt, loving the genre you're aiming to participate in) - it's based things like him being not completely inexperienced, having both directed little DIY-ish projects and worked with full-scale professional crews as an actor. If he'd just done one or the other, it would be one thing. But having done both, in addition to appearing in countless music videos, he's in a better position to know how to properly interact with his crew, what different people ought to be doing, and how to best control the chaos. He's demonstrated a knack for planning in the past, which seems to have been further confirmed by your sources within the production who're telling you that he's actually directing, he's showing up well prepared to work, and is generally doing it well. Finally, he's got the sense to keep someone more experienced than himself on hand for advice though I maintain that's not the film's ONLY chance for success. "Only" is a strong word which harbors no exceptions. Nothing's certain here... good OR bad. I'm optimistic but not blind.

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And that is actually a good, detailed answer. I don't agree with every point on your position but you have at least thought it all out.

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To Rhythm-X,"He's a fan! he's got passion!" was actually where I was coming from, more or less. I see your point, Todd, Wishful thinking makes me want this movie to be a success. I would prefer that the creative decisions for this production be made by someone who knows, understands and ultimately loves the reference material, rather than a "suit", making bad decisions based on current market trends, and who just doesn't care if the movie is actually good or not. And while I like to think of myself as a lifelong fan of Asian martial arts cinema, and that I am somewhat knowledgeable on the subject, having watched it and read up on it for most of my years (my very favorite, among many old school kung fu movies is Avenging Eagle with Ti Lung and Alexander Fu Sheng) I will admit that I would not have the first clue what to do with twenty million dollars that someone gave me to make a movie with, which is why I'm a fan — and not a creator — of said movies.
On a side note: why do so many people bash The Matrix movies? Sure, the sequels had their faults, the scene with the eloquent gentleman dressed like Colonel Sanders still perplexes me, and the character of Morpheus was simply not given enough to do in the third film. But I still thrill to the subway fight in the first film, the highway chase battle in the second and the assault on New Zion in the third. Jada Pinkett-Smith firmly established herself as being able to deliver badassery; and while I enjoyed Colin Chou's performance, I will always want to know how Michelle Yeoh would have handled it. Maybe the storylines didn't flow in the direction that many fans wanted them to, but as a whole, The Matrix movies still managed to deliver thought-provoking science fiction movies while still providing decent action and acting. This is just my own humble opinion.
I can only hope the movie the RZA is making, and being helped to make, will be a good one.

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As a martial-arts fan I find this production absolutely ridiculous. The amount of money for a first-time director, first time leading man, first time as an unproven martial-arts star, first-time producer, first writer is an realistically insane. Who on earth is going to pay good money to watch this film?

I completely agree with Todd its far too much for someone without any experience beyond making the music sound track.

Having seen a clip of one of his films I was unimpressed and can't believe he managed to get such a budget. My thinking is that if he doesn't have faith enough in his own work to release it. How does he go from low-budget to 20 million?

I don't care if he's a fan or should I say so-called fan. He has shown his disdain for the genre with downright awful releases under the iron flag collection/Wu Tang Clan presents dvds.

I suppose even though the movie will probably be absolute (insert expletive). The money man must have figured his musical fan base will go blindly into this and make a healthy return.

If only "the Stunt People" were given a few million to make a movie! Contour cost what a few thousand dollars and was top notch on the action front. They need backing not some pop star, yes I called him a pop star for his obviously popular music, but a Martial arts star he aint.

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That movie cost $3,000? It pains me to put indy filmmakers down, but I could've (and have) made something that looks better for free. What was the running time of the movie? Definitely would NOT be a good idea to give those guys $20 million.

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You're trying to tell me you made a martial-arts film better than "Contour"? Bullshit. If you have where it is it? If you haven't, prove it, do it, make it! Obviously the production values and acting in Contour was not very good. However from an action and martial-arts perspective the film was absolutely superb. Those guys definitely deserve funding as they have delivered more high-quality action and fun in that movie than Jackie Chan has in about a decade, or money that wouldn't even pay the catering bill for one his movies. Should they be given $20 million though? No. Like I've said in my last post I would love to see what they could do with a few million. May be only 1 million but definitely give them the ability to polish their productions would be money well spent.

I would definitely give the Alpha Stunt team a 20 million dollar budget ahead of RZA. Like Todd was talking about they have made small productions, not sure about the budgets, and have delivered some top-class action films most notably "drive" and "Broken Path" and the much much lower budget production "Extreme heist".


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