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Uwe Boll. In A Nazi Uniform. Guarding A Gas Chamber Full Of Jews.

by Todd Brown, September 6, 2010 8:26 PM


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In a career marked by bad decisions, this is surely the worst. Uwe Boll has made a film titled Auschwitz in which he himself appears as a Nazi officer guarding a gas chamber full of Jews in mid-execution. I know this because it is in the teaser. Says Boll himself on the topic:

"It's in the tradition of my movies Stoic, Darfur, Rampage, Tunnelrats, Heart of America...it shows Auschwitz as this what it was: a meatplant for humans...a death factory"
Now, a serious treatment of Auschwitz is not a bad thing. But it is the sort of thing that needs to be done exactly right without a hint of exploitation. Which is pretty much impossible coming from a director who routinely jokes about funding his films via Nazi gold and fills his first teaser with images that come off feeling much more grindhouse than arthouse.

Throughout his career Boll has been tolerated - even enjoyed - as a sort of continuous running joke of bad decisions and purveyor of mostly bad movies. He's been kind of a drunken frat boy so smashed that he thinks he can fly by jumping off the roof of the house if he just jumps high enough and we've kind of loved him for that. But this ... this could easily turn him from a happy joke into someone truly hated.

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31 Comments

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Hopefully this film finally kills his "career".

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I dunno, Todd. The images in the trailer are rather disturbing, but then this is a film about Nazi a deathcamp. I despise Boll's films, but I don't think there's anything in the teaser that is exploitative. Shocking? Yes. Disturbing? Certainly. Whether this will be the case with the actual finished product remains to be seen, of course.

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Stay classy, Uwe...

Could this be his MEN BEHIND THE SUN?

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This is pretty hard. Disturbing.
Doesn't look like trash to me too.
Hard to say how it's gonna turn out,
Boll's films got better and better,
even if they are not really good at all.

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For someone who had each of his first three US-released movies nominated as "worst movie ever made" I cannot really say Uwe Boll has made that many bad decisions.

His skills as a financer of his own projects is commendable. YES he uses European tax systems and subsedies against themselves, YES his direct approach of talking money out of people has a P.T. Barnumesque flavor, but he gets it done time and time again.

Several of his movies are now grudgingly not being dismissed on sight either. So I'm not sure where this Auschwitz film fits in. Boll keeps surprising people by having slightly more brains than everyone expects at first.

If he keeps things straight here and doesn't embellish anything... I still won't be seeing it but I wouldn't condemn it either.

watch stoic and then tell me its a bad film. you couldnt. its so well done and makes such a great impact.

this trailer looks intense. i cant think of a german film thats this provocative and direct in recent years. in germany theres tons of films being released every year that are set in the WW2 era. slightly before, or after even. all of them try to use the horror of the war and the holocaust as a backdrop for a more personal story. this seems to hit the nail on the head and not try to tell some beautiful story around it. instead its just a portrayal of the real horror. a horror which should never be forgotten.

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This needs to be handled very carefully and I don't see anything in that teaser that makes light of the situation. I think the problem might be that he doesn't know when to look away and imply action rather than showing it bluntly, like that tooth pulling shot.

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It's clearly not 'making light' in a 'ha ha' sort of way but a man who jokes about being financed by Nazi gold casting himself as a Nazi is immediately a bad decision that sets the wrong tone. Boll is VERY aware of his public image and I can't imagine any reason to put himself in there in that part other than to shock and to provoke for PR purposes and that leaves a very, very sour taste in my mouth. I think you're exactly right about him not knowing when to look away and this is where there's going to be an issue ... I don't think he's got anything to say on the matter beyond "Look how extreme I'm being!" - a point he kind of makes himself by comparing the film to Rampage, which is technically pretty decent but not about much at all - and that's just exploitation on its most basic level.

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seems like his Darfur film could give us a good idea of how this would turn out -- did anybody actually watch it?

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I don't see this as an inherently bad decision at all. Reckless, bold, flirting dangerously close to unwelcome controversy and almost certainly punching above his weight, it may be all of these things and more. However, unless Boll's intention is to make a grindhouse flick that exploits the most hideous historical context (and I don't get the impression that he intends this at all), there is nothing inherently wrong with what he is doing, based on what I am seeing in that trailer.

Yes, something like this must be done with utmost care and respect, but I could say that about countless other topics that get gleefully shorthand treatments by other films and filmmakers (I could list out a few examples, but I'll let you come up with your own). History should be sacred but it ain't. Countless films have appropriated actual wars, tragedies, genocides and individuals, chewed them up and pre-digested them into smug, self-satisfying or utterly fraudulent representations of the realities they purport to portray. Auschwitz happens to be among the most heinous and therefore sensitive of historical topics in our cultural landscape, but no topic should be a no-fly zone for filmmakers with good intentions.

The only reasonable concern I can understand having about this film is that, like Todd suggests, Boll may well be seeking a scenario to up the ante in his shock schlock resume, and he may have found the absolute apex of examples. Boll's heart may be in the right place, as far as he knows, but like Swarez mentioned, he may not have the maturity as a storyteller or sensitivity as a human being with a public voice to treat the material with the careful respect it deserves. I doubt that Boll takes time to consider that in the wrong hands, an indelicate depiction of horrors like these can bring more damage than healing.

Anyone willing to make a film about Auschwitz and the Sudan because of his own moral or personal outrage is commendable in his/her own way, and I'm truly glad that Dr. Boll has spent time and effort on projects that he clearly cares about. However, an Uwe Boll film is still an Uwe Boll film, and no matter the intent, I fear the outcome.

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I'll admit on the surface it seems questionable. However I guess I'm one of those people in the minority who'll reserve my opinion until I see it.

I mean how much smack and hate (online) has been hurled at the guy? How many times have people said he's done or ruined himself and will never work again...and yet he keeps on trucking'.

I thought Tunnel Rats was actually surprisingly good. In my books all bets are off except Uwe Boll doesn't give a shit what people think and bad press won't kill him

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I think enough time has passed that this project shouldn't be that big of a deal. DEAD SNOW and the ilk are no different but yet were praised when released by many users on this very website.

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In my opinion, it's near impossible to make a movie based on Nazi atrocities without being slightly exploitative. Most of these films are so black and white (good vs. evil) anyway which are just as offensive to people like me who studied this kind of stuff in school.

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City of Life and Death was one of the most powerful movies I've seen in the last year and it was taken to task in China for not being black and white enough. It depends upon the perspective I suppose.

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It was taken to task by SOME Chinese, and we face a very similar situation here. Both "City of Life and Death" and "Auschwitz" are films about historical subjects with fanatics on both sides: those that say it never happened at all, and those that see any depiction or retelling of it as an insult to the people who suffered the real thing.

The big difference here is that "City of Life and Death" wasn't directed by a Japanese schlock director...

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I'm not sure how I feel about this. I'm having a reaction, but it is difficult to gauge. Would this be of any interest if it weren't Boll in the uniform? have their been many graphic films set within concentration camps with an interest in being accurate? That appears to be what this is attempting. Or is this just another Ilsa? Not that there's anything wrong with that. Undecided.

Anything with Uwe Boll attached to it already gets a bad vibe. Although i have heard (not seen) any of his most recent films (which seem to be better than what his name is attached with previously). Depending on the direction he went with in a film titled "Auschwitz", I doubt this will mar his reputation as it is already bottom barrel. And I'll assume (actually expect) he'll go the uber-shock value route (similar to the way people where shocked [at brutality] when "Schindler's List" came out)

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It's an undeniably tasteless trailer for a surely tasteless film. I get a Philosophy of a Knife vibe here. To include the tooth pulling/ nude child burning images in the TRAILER tells you the director's intentions.

Yeah, some might make an apologetic argument that the film can't be judged until seen, but the entire point of a trailer is to sell the film to the audience. Uwe has chosen to explicitly sell only the horrific imagery of the film. It's irrelevant if the film surprises with a deep and potent story or exploration of the holocaust if the film is being marketed by the filmmaker on exploitative imagery alone. It's not like the holocaust is some undocumented event. There are infinite documentaries full of real footage that will shake you to the core and plenty of serious narrative films that pull no punches. Come and See comes to mind. Simply showing "fucked up" things in a sophomoric attempt to dispel "fucked up" things is juvenile and redundant.

Agreed with Todd, for Uwe to place himself not only in the film,but in the FUCKING TRAILER as the man standing outside the chamber was a highly calculated decision and a poor choice. But hey, let's not kid ourselves. The trailer is blowing up online, we're discussing it here. So even if we're disgusted we're already helping the man by talking about it.

Uwe is intentionally trying to illicit controversy and therefore exploiting the holocaust. I too get a grindhouse feel from the way this trailer was cut. But then again, there's an entire genre of holocaust exploitation films and I do not believe that anything is sacred, but I'm also not going to give any money to see this. ever.

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"To include the tooth pulling/ nude child burning images in the TRAILER tells you the director's intentions."

As well as the fact that the director casts himself as a nazi, and more than that a nazi features prominently in the trailer.

I look at this trailer and the story behind it and what I see is a guy who was once in the public eye for his shitty movies and his publicity stunts, a guy who no longer gets theatrical releases for his movies (in north america) and a guy who is basically no longer relevant.

Does anyone really care about this guy? I didn't even know that Rampage existed until I heard someone on Opie & Anthony talking about stumbling across it online and checking it out. I honestly didn't even know Boll was still making movies.

His genius, at least at the beginning of his career, was his ability to publicize himself. He's fallen out of the public eye and has figured out the easiest way to get in there.

Naked child corpse.
Tooth pulling.
Casting himself as a Nazi.
Giving the film the title "Aushwitz".

Nothing about this looks like anything but a crass attempt to get back in the public eye.

I would bet that these are the most shocking images from the movie, which will be as poor and slapped-together as the rest of his movies.

So conflicted, cuz on the one hand, holy wow he really went there, but on the other hand, yeah uwe boll is now the ultimate hack.

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Just now? The man loves to attract attention and he usually does it by doing or saying things he knows will make noise. The existance of Postal should be more than enough proof of that, he's being politically incorrect just to draw attention. This hack doesn't deserve to have such a long discussion devoted to his awful movies. There are some many films and directors who deserve far more attention.

"The man loves to attract attention and he usually does it by doing or saying things he knows will make noise."

Oh, the irony.

This film is no more offensive than Mel Gibson's "Passion of the Christ." I think it's bold and reasonable, not to sugar coat or deny the atrocities of the Nazi death camps. My hat is off to Uwe Boll for being willing to face the obvious criticism that will be thrown at him for making such in your face, unapologetic films as his most recent films have been.

As a filmmaker, he should push boundaries! We all should! Otherwise we are not using film for anything more than idle entertainment and escapism, which is fine but there's certainly a place for films that say "this is what happened, and there's no white washing it."

Would it have been more palatable had Christophe Gans been the Nazi officer outside the gas chamber? As far as Uwe saying his films are financed by Nazi gold, that was obviously a joke to promote controversy. Or if Quentin Tarantino had made the film in his flashy style full of catchy dialogue? Or if it was made by Steven Speilberg with his beautiful cinematography and sweeping musical scores as an audio back drop? Or if it was produced by the current king of torture porn, Eli Roth? Or is it the fact that a German filmmaker made this film, that puts a bug up everyone's ass and acknowledging yes this is what my country did and we should be ashamed of it and never let this sort of thing ever happen again?

But the fact is that it's still happening! It's happening in Darfur! And to some smaller degrees, in third world countries all over the world. So when will it stop?

And anyway, as we all know, controversy gets people talking, which Uwe always does so skillfully, which breeds curiosity and awareness, which equals sales and rentals, which equals a return of investor money, Hence Uwe's ability to keep making films even when he's so badly panned and criticized as a director.

In my book, he's someone to learn from when it comes to promoting such in your face films.

And let's face it, all films are exploitive to some degree, whether they make us cry by exploiting our sentimentality or make us scream by exploiting our baser primordial fears, or make us angry by exploiting our sense of right and wrong. All films are basically exploitation films one way or the other, whether we like it or not.

With that said I fully intend to support Uwe's continued filmmaking by watching his films, even if some of them turn my stomach with their graphic violence, as most graphically violent films often do.

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This film is no more offensive than Mel Gibson's "Passion of the Christ."



hate to be the one to break this to you, but...

Sorry, A correction is needed before anyone mentions it. I meant Christoph Waltz not Christophe Gans!

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My question is... has there ever been a movie based in a concentration camp that wasn't meant to shock and disgust? What the Nazi's did was outrageous and graphic... I don't see why someone like Uwe Boll can't make a movie about Nazi's that does just that. People who disagree need to relax. The people speaking out against this film are the same that praise A SERBIAN FILM so wtf, mate?

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Another great batch of comments for this purposefully controversial film! I only stumbled upon the story this morning but felt compelled to write a full article on the trailer over on my blog, something I don't normally do especially for a film I haven't seen. Sadly, this guy continues to bolster support and financing for what equates to torture-porn and Holocaust sensationalism.

I'm new to twitch and don't want to break protocol but would like to invite Todd and the rest of the twitch online community over to read my full article if you're interested. I think the best course of action regarding films of this nature is to bring them out into forums and network communities to discuss them in critical, meaningful ways.

Cheers->
Rory Dean
Above the Line: Practical Movie Reviews
http://www.rorydean.wordpress.com

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I think the community reaction has hit a nerve with Uwe:


"talks about that AUSCHWITZ teaser and the interesting point is that 90% of that “JOURNALIST” still judge me based on HOUSE OF THE DEAD and ALONE IN THE DARK they totally ignore that I made MORE MOVIES about REAL WORLDWIDE PROBLEMS and good movies as everybody else …from HEART OF AMERICA , SEED, POSTAL, RAMPAGE, STOIC , MAX SCHMELING and DARFUR


If a journalist calls himself JOURNALIST then they should do their job properly and do their research…. why RAMPAGE and DARFUR and STOIC getting great reviews from the people they saw them ..why a RON HOWARD and AMNESTY INTERNATIONAL think that DARFUR is nothing less as a masterpiece …why over 30 festivals world…wide invited the movies…why they are sold in 100 countries IF I’M SO BAD …blablabla…


its time for all the joblos, twitch, dreadcentral , aicn …etc.. to GROW up and recognize that they have no clue what they are talking about when they talk about me because they didnt paid attention to my movies ..they just enjoy bashing me…. they pay attention to laughable , unknowledged , unpolitical directors and hype them up


they think because my english is not perfect that I'm stupid ….but what other language they know? they think because I’m not promoted by big agents and studios that they have an easy target – but the movies speak and more and more people emailing me daily , buying my movies daily and SEE that they are way more int…eresting as the brainwashing hollywood bullshit what they promote


your readers are not so stupid to just agree to your 10 years anniversary of boll bashing ….some of you readers actually watched my movies and some of your readers will see that a AUSCHWITZ movie is not an insult to jews…its the opposide. in a world where 50% of the people have no education about the holocaust and even say the holocaust never happened


is it time to show that the holocaust existed and what the holocaust was. on all of my movies are working a lot of jewish crewmembers and nobody feels offended ….instead they are happy that a movie like this gets made."


Taken from his facebook page. I am impressed he even cites Twitch as being among those who need to "grow up". There is a fair bit of hate for the man, but to categorise all Twitch posters and readers as all having the same opinion? This is somewhat ironic. He clearly does not read what he said about him.


As much as I hated Seed, HOTD, etc., I did not mind Rampage. It is possible he could pull off this new project, however he will never be a GREAT director. The only thing to make his films stand out are his off-screen antics.

Spielberg’s an equally bad filmmaker, and the subject matter convinced everyone that he was a “humanitarian” and “serious artist” worthy of an Oscar, despite the fact that said film was actually quite offensive in its portrayal of mass murder. Maybe Uwe Boll wants the same thing to happen to him.


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