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First Trailer For Matt Reeves' LET ME IN Is Flat Out Brilliant.

by Todd Brown, July 1, 2010 2:06 PM


LetMeIn.jpg
Say what you will about the 'necessity' of Cloverfield director Matt Reeves shooting an English language remake of hit Swedish vampire picture Let The Right One In so soon after the release of the original but temper your griping with this: The first teaser has just arrived and it is absolutely spectacular. I got chills. And then chills on top of the chills. The kids are fantastic. The mood and tone are dead on. This cannot arrive soon enough.

Video


At Mubi

54 Comments

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Not bad, but I'm still wary.

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loved the original, but hated the idea of a remake... however Chloe Moretz is a pretty amazing young talent, so I think there is a solid chance for this movie to turn out well. I'm keeping my fingers crossed (and looking forward to vampire Hit-Girl paint the screen red!)

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Here's an early review of rough print that may temper the buzz.

http://community.livejournal.com/ohnotheydidnt/48376848.html#cutid1

Like many people have commented before about this and other remakes at least the original is out there and things like this are for the people who don't like foreign films.

And for what seems par for american remakes , if the review is correct, it seems ( surprise, surprise ) they've gotten rid of some of those pesky " rough edges ". You know, those little things that make the originals interesting in the first place. Don't want to upset or confuse the money spen....oops, sorry...movie going audience,

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Near as I can tell. The morse code at the end of the trailer is 'HELP ME'

LOL, THIS gave you chills Todd? "This can't come soon enough" Really?! It gave you chills watching something you already saw before? That's rich. I didn't know the english language is THAT much more chill inducing than any other language. I've said it before and I'll say it again, remakes only make sense if it's a remake of a movie that had a potentially interesting story but failed in execution for whatever reason. This is a damn shame to see this. It gave me no chills, it gave me frustration. If you want real chills, just watch the original again and leave the remake for the misinformed.

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Well, I was one of the first people on Earth to see the original, stumbling unprepared into a press screening at Rotterdam a full eight months before it was released in Sweden, and I loved the film. So I did pick up the book and surprise, surprise: only half of the book is actually in the Swedish film.

Now, judging by this trailer I cannot really see if there are any big sequences from the book incorporated that weren't previously, but the potential is there and I do like this trailer. I'm not referring to the change of language (as if... talk about asinine) but we have two other kids with a totally different chemistry.

There is no reason to turn this into a contest, or to be angry about the producer's reasons for making this film. Oh boohoo, they want to make money... therefore it must be bad? I can tell you right now that money was exactly the reason why the Swedish version was made, as the book was very popular in Sweden and there were several teams fighting for the rights to produce it.

As long as there is an end result that kicks ass (no pun intended) I'm happy. We have several film versions of Richard III as well. Some of them excellent despite each other's existence. All based on the same play.
No harm done.

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Todd, I like you & I love this website, but I can't agree with you on this one. The music ruins the trailer for me. I'm not to excited for this remake. I got behind The Karate Kid, especially after your review, & was duped by that, so I'm going to do my best to not let it happen again. Sorry.

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I loved the original. And I do mean LOVED. I came in expecting a great movie and came out with a new favorite. And that's favorite as in "favorite movie ever" favorite. What a great feeling that was. So, as you can imagine, I'm a little iffy about this, especially with the film coming out only 2 years after the original. I tried to put all of that out of my head while watching the trailer and it just isn't working. This definitely looks good. Very solid. But a remake of my favorite movie, and one that was just recently released, just isn't all that exciting for me. Like I said, it certainly looks good, but I doubt I'll ever watch it. It's just too hard to seperate the two.

I don't include you btw, we were apparently writing at the same time :)

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Just a quick follow-up to my own comment. To be clear, and this isn't directed at anyone in particular, I'm not angry about this remake. Remakes don't make me angry. I usually defend them, actually. I understand why this is being made. The Swedish film is brilliant and some folks here see some money in making an English-language version. I have no problem with this. I've seen the original and that's good enough for me. No anger here, I just have very little interest in seeing this.

The trailer is indeed brilliant, no question about it!
However, I really can't understand the logic behind statements like those above my post...

Do you people UNDERSTAND the word REMAKE?? Mmm? Bitches?
What is the frikin' point of making THE SAME exact movie in another language?

Seriously, everyone who argues over the NECESSITY of producing remakes is an accomplished ass.
If the movie ends up being good in its own right, through rehashing an already made story (which btw is from a damn book, i.e. - ain't original), and gets to be seen by more people who ENJOY it, what the fuck is the damage?
Can someone answer this?
Cause the way I see it, you behave precisely like those religious fools, who claim that you can INSULT their God through your words and actions. Well, if such a thing exists at all, how the hell can it possibly be insulted by a human being?! What will happen then? It will shit bricks from the sky or what?

Anyway, I'm sorry, but it seems to me that fans of genre cinema have grown really insecure with all the mainstream influences and their judgment can no longer be trusted. I LOVED the original movie. In fact it was my favorite movie of the whole fuckin' year back then. And if this turns out all right, I think I'll love it as well.

Meanwhile Todd, prepare to have a really hard time with these morons over here :)))

how about this, instead of spending all this money making the same movie again in a different language, spend that money on advertising and giving a wider release to the original. as you said, the original is still there, and hopefully this will get more people to check it out, but the whole endeavor still seems a bit pointless to me.

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I'm used to it. Been having this argument for years.


You know what the anti-remake argument reminds me of? These friends I had in high school who discovered Nirvana when Bleach was released. They thought they'd found the greatest band ever. Then Smells Like Teen Spirit hit the radio and the band blew up and suddenly, according to my friends, they'd 'sold out' and weren't any good any more. They ditched all their Nirvana merch and went off in search of the next obscure band. It wasn't about the quality of the work at all, it was all about having something nobody else did and once other people had it they weren't interested any more.


Yes, jwalk, this gave me chills. Know why? It's an exceptionally well made trailer. When I approach a trailer I look for three things. 1: Good acting. This has that in spades. 2: Good cinematography. Hell, yes. 3: Good editing. Again, it's bang on. Everyone who's taking an anti-stance to this, I challenge you to find five better trailers for American produced horror films from the last three years. Good luck with that, I don't think they exist.


I've read the rumblings that the American version drops the gender-confusion issue and I'm not surprised or bothered at all, frankly. Does it disrespect the source material? Not at all, it simply means they've chosen to focus more tightly on the coming of age angle, which is where the strength of the story is in the first place. If they went there they'd be opening up a whole can of controversy for very little payoff. And, frankly, on that level, the Swedish film is FAR more 'disrespectful' to the source (ironic, since the script was written by the novelist) since it takes a gender issue that is a MAJOR theme in the novel and reduces it to a single unexplained shot while also dropping all of the pedophilia issues - again, a MAJOR theme in the book - entirely. These sorts of changes are not a matter of respect, in my opinion, they're a matter of understanding that the printed page and the silver screen are different mediums with different audiences and you need to tailor what you're making to serve that audience.


And serving the audience is the basic 'point' of these remakes. As much as I love the original film, the fact is that it's a fantastic story that hardly anybody will ever see in its current form simply because it's Swedish. You can rant about the ignorance of the audience all you want but the simple reality is that if you want a mass audience in America and the rest of the English speaking world to hear your story you have to tell it in English. That's just reality. I'll dog a remake when they do a bad job or seem to be missing the point of the original - the Martyrs remake, for instance - but that doesn't look to be the case here.


2Bit, I'd actually really like to hear where you disagreed with my Karate Kid review. I really liked that film.

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First off, I'm not a remake hater. Surely, I'd rather see more original work these days, but remakes can be fine if handled the right way. I'll admit, watching this trailer a second time made me see it doesn't look as bad as my initial reaction. Not that I ever thought the movie looked horrible, it's just the music they used for the trailer really took me out of it. It doesn't exactly capture the eerie mood I'm hoping this film has. However, it is editied well enough & the film looks like it could possibly improve on the original.

As far as finding five better trailers for American produced horror films from the last three years, well that's just a ridiculous challenge Todd. I will name 2 that did more for me though. The trailer for the Funny Games remake (which I enjoyed quite a bit) & the trailer for the Last House on the Left remake. Heck, I'll give you one more, House of the Devil. That's American no?

Now, I don't want to talk too much about Karate Kid, but my problem with it were that Dre was too cocky of a kid & I had a hard time rooting for him. The film lacked the heart of the original & was not nearly as fun.

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Nothing ridiculous about the challenge at all, I sincerely don't think people can do it. As for your three, all very good choices but I find it interesting that two of the three are remakes and one of those - Funny Games - is a European production, so doesn't count.

The new KArate Kid is definitely more serious than the original, I'll agree with you there. I think it's quite well crafted though, and I stand by my assertion that it's the best work Chan's ever done in English and one of the top performances of his entire career.

"I challenge you to find five better trailers for American produced horror films from the last three years."

I don't care one bit about remakes, but I am pretty sure Todd's right in his assertion above since this looks just exactly like every other US-produced trailer for a horror movie I've seen in years. Yep, same silly music, same damn "heartbeat" of quick fade-to-black edits as it quickens toward the end, same mash-up of back and forth roving Spielberg cameras. I don't see the requisite final jump scare after the "coming soon," nor the clicky "crime scene" camera shutter sound. But other than that, this looks like any other US horror film to me.

I'm not sure what makes it brilliant, then. I see shots of kids, but I don't see any real acting yet. I see snow, but in lush and warmly orange tones. I even see some flash bogeyman mask between shots (a la TV's ANGEL), the kind of gimmick editing that comes with white frames and its own sound effects. I am actually really tired of this kind of crap film making, and the only reason I still want to see this movie at all is because I know the trailer company had nothing to do with the actual feature being released.

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Jesus people, grow the fuck up. Don't like remakes? Then cuddle up to the original and hope it keeps you warm and happy. I love the original and have recommended it to loads of people. But you know what? They either didn't "get" it or they couldn't stomach all of the subtitles (I know, philistines, right?)

As far as I am concerned, the original remains unsullied by the remake and hopefully, the Americanised remake will win new fans who may or may not seek out the original if they are disappointed - or even seek it out if they liked it and wish to embrace the (already 2nd hand) source material.

My film is still there. Moan all you want, but really stop the whiny bitching and watch all of your favourite originals with all of the time you will save.

I hated the American remakes of most Asian or European films and liked others for trying. I liked this trailer (especially the boy - excellent casting) and I may or may not like the film. But please stop your whining about remakes. Let the devil make his money somehow and don't add to his coffers if you disapprove.

Again: whiny. Bitches.

The end

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Huh. Shot for shot similarity to "Let the Right One In". If so, why?

That's what I was thinking. A shot for shot remake of a movie that came out 2 years ago...

..but probably with some added ACTION for us westerners, because we need to see ACTION at the expense of atmosphere and tone :P

all you remake apologists can suckle rectal abscesses. you're way worse than any "moron" who complains about shitty remakes. at least they have taste. stop being trolls. stop making excuses for crap. you're just arguing for the sake of arguing and you're dragging down the quality of film viewership in this country.

Look there Nick. The problem of "film viewership" in your country is related to a much deeper social issue. It's not about aesthetic taste, it's about consumerism. The majority of Americans (and Westerners in general for that matter) go to the movies like they go to the supermarket - they BUY PRODUCTS, they do not appreciate art for art's sake, since they do not derive any pleasure from such an activity. The situation kinda reminds me of that show, where while some guy was giving Free Hugs, another one started selling "Professional" Hugs and ended up making shitload of money.
Now, by trying to distinguish yourself from the crowd you do yourself a favor, but only until you start blaming the producer who wants to make money at a given opportunity, or the director, who tries (hopefully) to do the best with what he or she has on their disposal, or people like me who are reasonable enough to think before stating some lame-ass opinion. The only thing you're defending here is your sorry ego.
Remember that, otherwise the only taste you'll be left with in the end is the one for rectal abscesses...

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Trolls?
Let me tell you about trolls, Nick Cacioppo.

-Trolls just yell about their opinion instead of trying to explain it.
-Trolls curse at other commentors and call names at them.
-Trolls talk about "Our Country" on an international website.

Does this profile remind you of someone, Nick?

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Agree this looks solid and I'm not anti-remakes in all cases by any means. As a concept, it can be fine to remake a film, of course. Some remakes are great, in my view particularly when a story is interpreted or executed in a fresh way - as Ard has said on Shakespeare. But the sad reality is that although it would be lovely if the intention of all remakes was to simply tell a great story to a broader crowd who'd otherwise miss it, most are simply cynical cash-ins, and I find it hard to blame people for getting so angsty about this. As for the motives behind this, who knows. I suspect it's a bit of both. From the trailer there's nothing to make me want to see this particular remake, but that's about context not an anti-remake stance; this soon, this way, this style etc. I'm fine with the subs on LTROI. I'm also not precious about it, I just don't have any interest in this particular interpretation. Ultimately if this turns out to be 'good' then it's the likes of Platinum Dunes that are to blame for expectations being so low amongst the dissenters here.

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Looks competently made, but really unnecessary. Perhaps if they waited say, twenty years or so to remake it.

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The trailer at least looks better than the original, but I was never really a big fan of that one. Doesn't say much about the final film of course, but based on what I've seen her it might even be worth revisiting.

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You know what amuses me about this conversation? The VERY NEXT POST on the front page is for yet another remake of The One Armed Swordsman and aint nobody squawking about that. Know why? 'Cause it's Asian. Doesn't matter that it's every bit as profit motivated as this one, the reality is people only shit on American remakes.

Wisdom. Of course, it doesn't help that Hollywood has raped both the source material and audiences for decades with soul killing remakes. (Shannyn Sossamon still tempts me in One Missed Call, but frak me, I know better.) This, however, looks interesting.

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This is an honest question:

Do you know if on, um ... er ... "Asian"-speaking boards people get all twaddled up about Asian remakes?

Anti-Americanism is big business, and USA has lots of self-loathing. Anti-Asian doesn't seem like a thing. Are there self-loathers in Asia with regards to their arts? Do your industry colleagues there deal with this issue on this level all the time?

It seems like remakes back and forth around the world are coming at a faster pace these modern days. Good thing I have nothing against them.

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I don't know of any Asian boards that do, no. The only other country whose remakes I ever see people getting worked up about is India's and that's because they have a long tradition of remaking films while never acknowledging the source material at all and refusing to pay for the source rights. The anger there comes from flagrant copyright infringement.

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I guess the issue with US remakes specifically is that a lot of people have seen a lot of very bad ones, and rightly or wrongly are levelling their expectations based on those.

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Sorry, Todd, but that is not the same thing AT ALL. One Armed Swordsman is a remake of a 40-year-old film. Film technology changes. Audience mentality and expectation change. You can't compare a remake of a 40-year-old film to a remake of a 1- or 2-year-old film.


Know why? Because the remake of a 2-year-old film has no merit or purpose other than to profit from ripping off ideas. THe Hollywood remakes of Let the Right One In and Girl With The Dragon Tattoo can be attributed to one thing and one thing only: Americans refuse to read subtitles (or very much else, in fact). The filmmakers see an idea they can profit from, and take it from there. This blatant copying is what I do not approve of. Adding a small twist or changing the ending a little does not alter the fact that 95% of the idea was taken wholesale from some other work which deserves more exposure. Unless the remake is radically different or takes on significantly different points of views, my views on them do not change.


You argue that the original The Ring got more exposure and attention due to the remake. True, but I think this is an exception, not the rule. Did Infernal Affairs sell many more DVDs after The Departed was released? Did Brodre see a surge in interest after Brothers was released? Face it, in those cases, the existence of the remakes probably make it less likely that the originals will get significant exposure.


Sure, there is no reason why the movie cannot be remade for an english-speaking audience. But I can also argue that there is no reason why the original film cannot be enjoyed by an english-speaking audience. If you are someone who refuses to watch a film just because it is not in a language you understand, then you probably do not deserve to enjoy it in the first place.

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I agree on a lot of your points Agent Wax, but can't agree that this is just about age. The anti-remake crowd was HOWLING about the upcoming prequel of The Thing when that was announced despite the fact that the Carpenter version was made in the 80s and is itself a remake. The anger comes from them being American, nothing else.

And, yes, Infernal Affairs did see a spike in sales after The Departed, though I'll give you that it wasn't as much as it could have been given how horribly the Weinsteins botched the marketing of it. Anybody else remember when the Oscars announced that The Departed was a remake of a Japanese film? Shudder ...

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"Anybody else remember when the Oscars announced that The Departed was a remake of a Japanese film? Shudder ..."



That was one of the only times I've ever actually thrown something at my TV.

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Hmmm. Well, I can't speak for anyone else but myself. I suppose there are people out there who crap all over remakes for the sole reason they are American, but I'm not one of them. I actually WANT to watch the prequel to The Thing. I didn't dis Karate Kid because it was a remake. I dissed it because of its name.


If Tsui Hark announced a HK remake of Let The Right One In, I'd piss all over it too.


I just believe the originals deserve bigger recognition. I fear that encouraging these remakes of 1-year-old films does nothing to achieve that, and on the contrary serve to diminish their achievements and give audiences even less reason to watch the originals.

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Doesn't look too bad... At least it'll be in English and I don't have to read subtitles,hahahha...

The music is what kills it for me. The right soundtrack means a ton. I instantly get turned off when the music does not fit the movie. Plus, I loved the original so much. But hey I am open enough to check it out.

"It wasn't about the quality of the work at all, it was all about having something nobody else did and once other people had it they weren't interested any more."

Todd, that's not entirely true. some of us who love the original want it to be more widely seen. for me, i hate the idea of remakes simply because it's really an insult to the original's filmmakers. it's like saying "your film is only half good, so we can do better."

as for Let Me In, i'm completely turned off by the trailer. not only the music, the editing, the entire mood, the line "i need blood" also shows that this is another of those Hollywood movies that spell out everything for the audience. one of the wonderful things about the original is its minimalism. it said a million things by being silent, showed a million things by not showing. this trailer clearly shows that the American director does not understand the original at all.

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I hear you on wanting the original to be more widely seen, Allan, but would never go with you in saying that a remake is an insult to the original. Never. Does Carpenter's The Thing insult the original? Cronenberg's The Fly? The assortment of versions of Body Snatchers? No to all of them. Is Nakata insulted by the remake of The Ring? I'd say not considering he's worked with Roy Lee on more than one occasion since. Same with Shimizu and The Grudge. And I don't think there's any argument at all as far as whether the remakes made less or more people seek out and see the original. The original Ringu got a high profile, well supported DVD release across North America only because of the remake. I'd love more people to see the original, too, but the reality is that everybody in North America who is going to see it already has. It's reached its level. The fact that the masses aren't interested in seeing a foreign language film is no reason at all to say that you can't tell the same story in a language they will come out and investigate it in.

As for your comments on the content of the trailer, the "I need blood" line IS IN THE ORIGINAL FILM. So if this film is guilty of 'spelling everything out' then so is the original. Yes, the trailer is making it clear that this is a vampire film but that's what a trailer is for! It doesn't explain any of the key plot points and though I'd have to go back and double check it, I don't think there's much of anything in there from the third act at all. It's not feeding the story to the audience at all, just establishing the concept.

koay.allan, completely correct about Todd missing the point and putting words in the anti-remake crowds' mouths. The pro-remake crowd is like the pro-DNR and anti-grain crowd when it comes to Blu-Ray; to hell with the sacredness of the original source and its subleties (and subtitles) and just go for what immediately strikes the eye and requires lesser imagination. It's interesting how Aard Vijn criticizes other anti-remake posts as being trolls when he says nothing of those here who call us bitches just because we don't like remakes. That's a double-standard. Again, I understand why Hollywood or other countries go ahead with remakes but I think it only makes real sense if it's a remake of a movie that had potential but wasn't fully realized for reasons not having to do with the original film's story.

you have a valid point there, Todd. remakes are not insults to the originals. but something like Carpenter's The Thing: there is a span of many years between the two films, and within those years, things change, technology is improved, and so it feels more like Carpenter is paying tribute to the original. but to remake a film (and a foreign one) so soon after its release ... i can't speak for Nakata or Shimizu, because i don't know what goes on in their heads, but just because the directors of the original don't seem to be insulted doesn't mean the practice is OK. just like how just because Mr Miyagi was played by Asian actor Pat Morita doesn't mean it's any less of a racist portrayal.

as for that line in the film, oh gosh! i seriously cannot recall hearing it in the original. and i'd just seen the film a couple months ago! apologies for that.

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I wouldn't want to swear to that exact line but there is definitely a very extended sequence - a couple, actually - where Eli explains exactly what she is to Oscar. There's on when they're on good terms - and this is where she explains that she needs blood and needs to be invited in - and then a bit of a follow up when Oscar is angry at her and refuses to invite her in to see what will happen if she enters without being invited. There's some very explicit dialogue about Eli being a vampire, what that means and how it functions in the original.

one more thing i must say. the original was really about the ambiguous/ambivalent nature of love. love can make good people do bad things, as it can make bad people do good things. to be fair, i would concede that we can't gauge if that idea remains in the remake just from the trailer. but it is laos what makes the original's title so full of connotations. maybe Hollywood changed the title because Let The Right One In is too much a mouthful? but then so is Pirates Of The Caribbean: Curse Of The Black Pearl!

koay.allan, completely correct about Todd missing the point and putting words in the anti-remake crowds' mouths. The pro-remake crowd is like the pro-DNR and anti-grain crowd when it comes to Blu-Ray; to hell with the sacredness of the original source and its subleties (and subtitles) and just go for what immediately strikes the eye and requires lesser imagination. It's interesting how Aard Vijn criticizes other anti-remake posts as being trolls when he says nothing of those here who call us bitches just because we don't like remakes. That's a double-standard. Again, I understand why Hollywood or other countries go ahead with remakes but I think it only makes real sense if it's a remake of a movie that had potential but wasn't fully realized for reasons not having to do with the original film's story. LOL, you got me on the The Thing, though...but as koay pointed out, the original was done long, long time ago and Carpenter wasn't doing a shot-by-shot farce of it.

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That's odd, jwalk415.

If someone called you a bitch because he (or she) disagreed with your opinion feel free to consider that person to be a troll. And my note to Nick says exactly that. No double standards here.

As a matter of fact, Nick called ME a troll in his post for failing to share his view and because of that I pointed out that the pot was calling the kettle black.
If you consider that to be an unfair attack to "your side" of the debate, well... it isn't.

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It looks like a competant production but it also looks extremely uninteresting. This teaser does not create much excitement for me. Whether or not the end product turns out to be good, the two major problems I see from the teaser is the fact that they reveal most the story (nothing new there) and I see no back story of the boy (not sure what they call him in this version).

Now I hope that the American version does try to approach the book from a different angle, at the same time one of the biggest aspects of the original was that the film revolved around the boy and the dreariness of his day to day life. I don't see anything that made the boy an interesting character being portrayed here. From that teaser alone, I don't see much resemblance to the book and it does not do a great job at differentiated itself from other vampire films. We will see what the end product becomes, but I cannot agree with you here Todd. You must be seeing something I am not :(

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Nicely shot, and yeah I agree with Todd, it's a pretty decent trailer aside from a possible false move with the music. But really, 43 posts for this? ;-)

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Subtitles and native language are only the tip of the iceberg here.
Subtitles detract from the cinema viewing experience as you have to place your attention continually at the bottom of the screen. This can be a huge detriment to a movie with strong visuals. This can also induce the equivalent of car sickness in some.
Dubbing is the common way to overcome this setback, but dubbed movies often suffer from a disconnect between the voice actors and screen actors, often becoming comical.
I don't know that remaking the movie with new actors and a new director is the best answer to this issue, but it is an answer.
[It also doesn't hurt that vampires are hot right now. (^_-)]

I prefer to see movies in their original form, but I also enjoy sharing a film with friends, one of which is literally nauseated by subtitles.

Actually....I think a remake would be more like a Nirvana never making it big and remaining a really great unappreciated band who made timeless music but never got the true recognition that they deserved. Then, a few years later a Kanye West comes in and samples some of their music while gutting out the soul and the heart that made it great in the first place and makes millions of dollars and wins all kinds of recognition and is hailed as the next big thing. Meanwhile...the music was already there. It was just introduced in a new flashy way. Is it bad? Who the fuck knows...I'm not here to judge. I'm sure Kanye/Reeves will put his own spin on the original and try to make it something altogether new.


However, it is wrong to not acknowledge the source material and and act like your version is the only version. I absolutely loved Let The Right One In and I remain hopeful that Let Me In brings something fresh to the screen. The book has so much material that begs to be seen...so, hopefully we'll see some of that bleed into the remake.


Matt Reeves has already said that he loved Let The Right One In and he's trying to bring some of the untapped material from the book. Hopefully, he did this in the remake. I think the trailer was cut to show many elements from the original in order to rope in the faithful fans as well as introduce others who may not have been privy to the original for whatever reason. I...for one...am hoping this remake expands on the experience already made timeless by the original.

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This is the "Psycho" remake. If you do something almost shot for shot, it creates a cognitive dissonance and while I want to enjoy the trailer, I can't help but think "That's not the right actor" and "They're speaking English" the entire time.

todd i agree with ALMOST all of what you have written although for me the remake issue isn't about american remake bashing. i feel the US film industry make alot of bad choices when it comes to remakes or re-vamps. it may be a case of having one of the bigger film industries means more exposure for the remakes that are US produced.
i have to say though alot of people here are missing the point, the swedish film isn't the source material, the NOVEL is!! please read the novel and you'll discover that your precious swedish "original" is far from consistant with the source material.
oh and Todd, thanks for the all the coverage of Australian cinema here on twitch we have some amazing film makers!

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Nice, I'm reading the book now and have seen the difference between the movie and it.

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NEWS: "Let Me In" to be remade in Swedish, retitled "Let In" which in turn is being remade in the U.S. to be titled "Let" e.t.c...........

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That'd be clever if not for the fact that Let Me In is the LITERAL TITLE OF THE SOURCE NOVEL. It's the Swedish version that went out with the wrong title, not the remake.


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