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More Indie SciFi With Dan Gaud's LEAP

by Todd Brown, February 6, 2010 9:40 PM


Leap.jpg
More indie scifi here with made-in-Canada short Leap.  The story of a young man who discovers that he can pass into a parallel dimension by falling from great heights, the short was shot on the Red camera before undergoing nearly a year of post-production.  As I said when I first saw it, there are some bumps and hiccups along the road with this one but the stuff that works really works.  Check it below.

Video

Leap from Dan Gaud on Vimeo.


10 Comments

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Well as a short it really doesn't work, but as the obvious show reel/ calling card / fund raising teaser for a feature, it is incredibly impressive. Gaud has talent and tech know how that's for certain.

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now if you told me that was made in a month, then i would be mildly impressed. but a year?? what the fuck was he doing that took a year to make this? and because it was shot on RED, is that meant to make it more impressive? i can only then assume that he had money to make this if you could hire that kind of kit...

just more mediocre trash disguised as grande short-form indy film-making.

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Harsh.. I thought the film is not bad, definitely not 'trash'.
If he had only one or two part-time workers on the VFX (and that's usually the case in indy film-making, agent666) I can totally understand why it could have taken a year to accomplish.

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agent666 was on a roll yesterday.

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Are you saying agent666 that the VFX could have been done quicker if YOU were doing them?

To me it seems obvious what took a year to do all by his lonesome, some stellar visual work done on this. Sometimes when you are an army of one, things take just a little longer than usual

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Yikes, 666 -- come on now. That's a LOT of post stuff to deal with on an out-of-pocket basis. As a teaser/calling card, it's really well done.

Like the concept, too -- a much more cinematic take on the THOMAS COVENANT concept (watched by boss try to develop THAT for a year back in the day...) Good job and good luck, Dan!

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Yes, the post work must have been difficult and time-consuming. But that's not my problem with it. My problem is that I see little in this short that really warranted the effort or money for getting a RED-cam and doing those effects.

The story is like a cross between the Animatrix Kids Story and Brothers Lionheart (though I doubt the makers had heard of this one). Though I would rather watch those instead.

And just looking at the footage shot it felt like an average short I tend to see on the HV20.com forum. Not something from the latest showreel signed by Jim Jannard and posted on REDuser.

Again, I recognize the effort. But it's misguided effort. Instead of pouring time on post-work I'd probably rather advise them to actually getting some extraordinary footage to work with. And spend a bit more time in Pre-prod.

If you want to impress people with a first directorial work, then it better be China Lake (Robert Harmon), Dark Star (John Carpenter), Electronic Labyrinth THX1138 4EB (George Lucas) or maybe even Bad Taste (Peter Jacksson).

But ok, I admit. Both Piranha II: The Spawning and Xenogenesis (James Cameron) where pretty bad too. So I won't say that all hope is lost. ;)

And if you think I'm a bit harsh... you don't want to know what I think about Casshern...

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Hmm i'm curious what you thought about casshern, I just know it had one of the greatest action sequence ever filmed lol but the movie in general was very... strange.

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I am curious... were all of those first directorial efforts done without a budget by one person, or even short films? I have no idea why you would mention those films alongside this one.

Very odd

Technically, it's a huge achievement for one person. The one place he could have used help though, was the story. This is a visual storytelling medium, but for all of the great visuals, there is no story at all if you remove the narration. If it doesn't work as a story in pictures, it just doesn't work.


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