Review: THE MAZE RUNNER Will Find Its Way To The Right Audience

The Maze Runner is yet another young adult trilogy that has been adapted to film. Similar themes of science fiction and dystopia that are rife in The Hunger Games and Divergent films are on full display here. Despite all... More »
  

Toronto 2014 Review: THE EDITOR Is Eager To Please

The directors of The Editor, Adam Brooks and Matthew Kennedy, along with the rest of their cohorts from VHS-obsessed Winnipeg film collective Astron-6, must have been mighty pissed when they caught wind of Berberian Sound Studio. Peter Strickland's 2012 film was... More »
  

Toronto 2014 Review: ELECTRIC BOOGALOO: THE WILD, UNTOLD STORY OF CANNON FILMS Is Lovingly Reverent Of The Ridiculous

Mark Hartley's unofficial biography of Cannon Films impresarios Menahem Golan and Yoram Globus is equal parts reverent and dumbfounded in its depiction of these maverick Hollywood outsiders. Bottling the same level of ravenous reportage for Cannon's bountiful output as Hartley... More »
  

Toronto 2014 Review: Kevin Smith's TUSK Gleefully Plays By Its Own Rules

"Why don't you ask him if he's going to stay? Why don't you ask him if he's going away? Why don't you tell me what's going on?" - TUSK, Fleetwood Mac Kevin Smith is many things to many people... More »
  

Toronto 2014 Review: SPRING Is No Sophomore Slump

"You saw me all fucked up and I am still here." So says Evan (Lou Taylor Pucci) to his Italian girlfriend, Louise (Nadia Hilker), after discovering that her 'little secret' is well outside his comfort zone. It is this moment, well... More »
  

Review: MEMPHIS, A Mesmerizing Meditation On The American South

Dusk. A blue summer day ending on a worn and warm boulevard. The pin prick glow of street lamps dazzle in the distance. A figure lumbers down the block. A hat tipped to one side, he is lost in thought.... More »
  

DVD Review: THE GRAND SEDUCTION Flirts Lightly

Based on its bold title, you would be forgiven for thinking The Grand Seduction, a new comedy starring stalwart actor Brendan Gleeson, is an epic and complex drama comedy. It is in fact quite the opposite; a simmering small-town affair,... More »
  

Review: JERSEY SHORE MASSACRE, A Really Dumb Slasher Flick Saved By Good Gore

Teresa and her girlfriends head to the Jersey Shore for a weekend of drunken debauchery. When there is a mix-up with their booking and they have nowhere else to go, Teresa suggests they stay at her Uncle Vito's in the Pine... More »
  

Review: THE POSSESSION OF MICHAEL KING, It's Not Real Until You Try It On Yourself

Michael King does not believe in God. Michael King does not believe in the Devil. Michael has taken it upon himself to prove that any spiritualism is wrong and when he does that, humanity can move on with their lives... More »
  

Review: MISSION BLUE, A Reflection On A Single Life As A Stand-In For All Life

I am never one to say no to beautifully lit underwater photography, either in grainy 16 mm or pristine HD.  Here there is plenty, but the most compelling image in activist/biopic documentary, Mission Blue, is that of a lone plastic... More »
  

Melbourne 2014 Review: LIFE AFTER BETH, A Tame Zom-Com

The ever sardonic Aubrey Plaza stars as Beth, alongside Dane DeHaan's Zach, in this frequently odd but half-cooked zombie comedy from the writer of the excellent I Heart Huckabees. Director Jeff Baena only lends some of his brain to... More »
  

Review: TEENAGE MUTANT NINJA TURTLES Chooses Not To Compete, And Succeeds

Michael Bay gets his hands on another beloved property from our childhoods, but as producer of a new live-action Teenage Mutant Ninja Turtles feature his signature influence is somewhat muted. Director Jonathan Liebesman instead delivers a superhero adventure pitched squarely at... More »
  

Fantasia 2014 Review: TIME LAPSE, A Sharply Written Indie Sci-Fi Picture

Opening with a shot of swirling red paint, which then has tiny flecks of white thrown into the mixture to disturb the surface and complicate the image, Bradley King and B.P. Cooper's Time Lapse shows just how bloody far you can... More »
  

Fantasia 2014 Review: THE DROWNSMAN, The Super Soaker Terror Gets Too Silly At Times

Madison has a fear of water. A year ago she had an accident and nearly drowned. When she was under, she was pulled into the lair of The Drownsman. Since then she will not go near water. She even misses... More »
  

Fantasia 2014 Review: THE HARVEST, A Coming Of Age Fable Of Wicked Proportions

After a very lengthy hiatus into directing for TV, ranging from single episodes of John From Cincinnati to Masters of Horror, John McNaughton (Henry: Portrait of A Serial Killer) is back with his first feature film since the turn of the... More »
  

Review: James Franco's CHILD OF GOD Is A Revelation

Love him or hate him, James Franco has one of the more interesting Hollywood careers going these days. My own relationship with the man was born of indifference and suckled at the teat of hatred, thanks in no small part to... More »
  

Review: WAR STORY, A Devastating Study Of Conflict, From Within

Mark Jackson did not so much as burst forth onto the independent film scene in 2011 with his brilliant first feature Without. Rather he made a careful set of imprints and impressions, distinct and measured, over the entire year on... More »
  

Fantasia 2014 Review: THE MIDNIGHT SWIM, Where Still Waters Run Deep

In Werner Herzog's wonderful documentary Encounters at the End of the World, he makes a point of showing that if you dive deep enough in those cold, antarctic waters, the experience is not all that different than voyaging into outer space. Darren... More »
  

Fantasia 2014 Review: Can You Escape From THE DEVIL'S MILE?

The Canadian horror flick, The Devil's Mile, had its World Premiere at Fantasia Saturday night. It is the feature debut of long-time screenwriter and Rue Morgue magazine contributor Joseph O'Brien. Three kidnappers, Toby, Cally and Jackie, take a detour to deliver... More »
  

Review: I ORIGINS, Ludicrous And Contrived, Yet Still Creates A Spell

"The eyes are the windows to the soul." This particular cliché forms the narrative and philosophical basis of Mike Cahill's latest, I Origins, which follows in the high-concept, indie sci-fi vein of his first feature, Another Earth (2004). The title also... More »
  
 
  Next »
Page 1 of 14