Internationl Reviews - Foreign, Overseas

Review: REMEMBER, Christopher Plummer Searches For A Very Particular Nazi

It's been a while since one can be super excited about a new Atom Egoyan film. His last two, Devil's Knot, a film about the West Memphis Three case, and Captive, a chilly thriller about a child sex ring, found... More »
By Jason Gorber   
  

Review: NINA FOREVER, Blood And Sex In A Droll Relationship Drama

I had a university professor (English literature) who was fond of saying, "Nobody walks away happy from a threeway." I wonder what he would have to say about the Blaine Brothers' Nina Forever, a dark but droll relationship drama that... More »
By Kurt Halfyard   
  

Review: In ALREADY TOMORROW IN HONG KONG, The Fundamental Things Apply

Here's the basic plotline of producer and now first-time writer-director Emily Ting's immensely charming romance Already Tomorrow in Hong Kong, boiled down to its basic essence. A man and a woman meet, and -- spoiler alert -- fall in love... More »
  

Rotterdam 2016 Review: PATHS OF THE SOUL Shows Purpose In Pilgrimage

Years ago, when Blu-ray was a new platform and newly acquired by me, I searched the world for the most spectacular discs to play. Be it the US-release of Baraka or the Hong Kong release of Red Cliff, I'd import... More »
By Ard Vijn   
  

Rotterdam 2016 Review: TOO YOUNG TO DIE! Is One Hell Of A Load Of Fun

(...and no Jamiroquai in sight...) The Japanese writer-director Kudô Kankurô has his heart in a quirky place, and has proven that already several times over. As a scriptwriter he wrote Zebraman for director Miike Takashi, The Apology King for director... More »
By Ard Vijn   
  

Rotterdam 2016 Review: RADIO DREAMS And Waiting for Metallica

Despite being brought up and educated in London, Iranian filmmaker Babak Jalali shot his sophomore feature Radio Dreams in the Bay Area of San Francisco. His stylistic preferences and personal signature aesthetics began to take bolder shape in his... More »
By Martin Kudlac   
  

Rotterdam 2016 Review: Personal Docupic 5 OCTOBER Tackles Modern Man And Transcendentalism

The already-established Slovakian photographer Martin Kollár flips between the lenses of photography and cinematography regularly and 5 October, unveiled in the festival section "As Long As It Takes", has the best of both worlds. As a cinematographer, he has lensed... More »
By Martin Kudlac   
  

Rotterdam 2016 Review: WILD Brings Out The Inner Wolf

The Rotterdam International Film Festival had many, many world premieres this year, and some almost-world premieres as well, like German director Nicolette Krebitz' new film Wild, which had its first-ever screening mere days earlier at Sundance. Which made it a... More »
By Ard Vijn   
  

Review: DEADPOOL, A Marvellous Meta Movie With A Mouth

Although it is cut from the same cloth as other superhero origin stories before it, both in the MCU (Marvel Cinematic Universe) and X-Men world, Deadpool prefers its material vibrant, filled with polka dots and stained with blood. Ryan Reynolds plays... More »
  

Review: REGRESSION, Beyond Disappointing

Back in the 1990s, Alejandro Amenábar was part of the incredible new wave of Spanish fantastic cinema. His first feature, Thesis, was a Hitchcock-style thriller about snuff films that was creepy and sexy; his second, Open Your Eyes, a subtle sci-fi thriller... More »
  

Rotterdam 2016 Review: BEYOND SLEEP

One of the tasks Dutch high-school boys and girls need to conquer is finishing the dreaded Dutch "literature list", meaning they need to have read a certain number of famous Dutch books. One of the more often-used titles to put... More »
By Ard Vijn   
  

Springbok Cinema Review: THE ACTOR Transcends Its Existential Demons

"Man is least himself when he talks in his own person. Give him a mask and he will tell you the truth."  - Oscar WildeThe Actor made my Springbok Cinema list for 2015, putting it among the very best South African... More »
By Stuart Muller   
  

Rotterdam 2016 Review: IL SOLENGO Speaks To The Heart Of Italian Culture

There is a side to Italian culture which, given the importance it has, receives far too little attention. Beyond the cop vs. mafia gun battles and the eccentric lives of Italian dilettantes, there lurks a mysterious, timeless figure: the contadino.... More »
By Thomas Humphrey   
  

Sundance 2016 Review: THE FITS, Or Maybe All Girls Are Magic

What makes a black girl fly? Is it her magic-- the frightful inheritance of her sex? Or is it illusory? (the shape of their hips in blue and gold sequins...) What makes a black girl fly? Is it her fear... More »
  

Rotterdam 2016 Review: HISTORY'S FUTURE, A Shower Of Innumerable Atoms

There are few film festivals that manage to be as bold a stage for daring types of film as International Film Festival Rotterdam, and sometimes it almost feels as if there's something hard-wired into that city's forward-looking architecture that compels... More »
By Thomas Humphrey   
  

Rotterdam 2016 Review: LOWLIFE LOVE Is Crafty, Filthy And Bitter

In Uchida Eiji's new film Lowlife Love, we get a nasty peek at the underbelly of the Japanese independent film scene. These are not the indies with a low budget, these are the indies with no budget, often made by... More »
By Ard Vijn   
  

Slamdance 2016 Review: EMBERS, Fresh And Fascinating Sci-Fi

When we talk about ourselves we are building the conversation off a varied, often strange and impressionistic collection of moments stored over the culminating years of our lives. When we talk about ourselves, we talk about our memories. The time... More »
By Ben Umstead   
  

Sundance 2016 Review: DARK NIGHT, Scenes From The New American Apocalypse

Close your eyes. Picture the scenes:

You gotta keep your head down. She runs hers hands through your hair; it must feel like walking barefoot on freshly cut grass, it's so short. The burnt orange dye bleeds into your scalp. You... More »
By Ben Umstead   
  

Sundance 2016 Review: NEWTOWN, A Simple Tale Of Universal Grief

The horror of what took place on December 14, 2012 at Sandy Hook elementary school captured the world's attention. A young man, armed with an assault rifle, handgun and plenty of ammunition, walked through his old school and butchered... More »
By Jason Gorber   
  

Slamdance 2016 Review: DRIFTWOOD, On The Strange Life Of Objects

Against the onslaught of the crashing surf we arise into a world of soft, foaming white. From a distance, we can make out an approaching figure. Soon we see it's a she, a young woman, soaked to the bone, shivering... More »
By Ben Umstead   
  
 
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