Sundance 2015 Review: THINGS OF THE AIMLESS WANDERER, A World-Class Stunner

To be absolutely mesmerized by a film, totally transfixed, is a rare happening in cinema, but should be the norm, right? Rwanda director Kivu Ruhorahoza's Things Of The Aimless Wanderer is just such a film, spectacular and ambitious in all... More »
By Ben Umstead   
  

Rotterdam 2015 Review: ANGELS OF REVOLUTION, Soviet Avant-gardists Unite

Ethno-omnibus The Celestial Wives of Meadow Mari by Russian filmmaker Aleksei Fedorchenko, a witty and original wanderlust throughout the folklore peculiarities of the Meadow Mari people, a group considered to be last pagans in Europe, was one of the... More »
By Martin Kudlac   
  

Review: CASA AMOR: EXCLUSIVE FOR LADIES, But Really Just A Man's World

Every so often, Korean cinema presents us with a new film, filled with the promise of titillating erotica. Invariably, these turn out to be rather chaste affairs and Casa Amor: Exclusive for Ladies (the original title of which is Working... More »
By Pierce Conran   
  

Slamdance 2015 Review: YOSEMITE Beautifully Captures The Fearful Majesty Of Boyhood

What is it about childhood that makes us adults so wary of who we once were? Perhaps it is that great fear of the unknown, a shadow, a whisper of adulthood that scares us as children into submission of these... More »
By Ben Umstead   
  

Review: HOURLY HUSBAND, A Low-Brow Comedy About Midlife Relationships

The Czech comedy Hourly Husband, a feature debut by Tomáš Svoboda, who comes from a theatre environment, falls into the niche of easy-going comedies designed after a rather folksy blueprint. Hourly Husband addresses the very particular issues of a very particular... More »
By Martin Kudlac   
  

Rotterdam 2015 Review: AS THE GODS WILL Leaves You Gasping For More

(Putting the Fear of God into someone was never taken as literally as here...) Miike Takashi must, by now, be the most experienced director in the world in several genres, especially if those genres are vaguely defined as "gory and... More »
By Ard Vijn   
  

Slamdance 2015 Review: THEY LOOK LIKE PEOPLE, DIY Terror At Its Very Best

It begins in the dark hollows of your mind. But you can feel it in your heart. Pumping through your veins. The notion that something is wrong. That the world is wrong. That reality is not what it seems. That... More »
By Ben Umstead   
  

Sundance 2015 Review: THE OVERNIGHT Goes There

It's so incredibly tempting to reveal all the bizarre places Patrick Brice's new film, The Overnight, takes its audiences, who, if they're anything like this viewer, will likely watch the film with mouths gleefully agape.The film opens in the bedroom... More »
By Zach Gayne   
  

Review: GIRLHOOD, Social Realism With An Edge

Girlhood (Bande des Filles) quite literally kicks off to a running start. In the first second in the very first shot, a rush of decked-out football players come hurtling head-on directly at the camera. Backed by thumping, synth-heavy electropop, we... More »
By Ben Croll   
  

Rotterdam 2015: REALITY, Not Just Another Headscratcher By Dupieux

French DJ-cum-filmmaker Quentin Dupieux, aka Mr.Oizo, invaded the cinema landscape rather abruptly through his Dadaistic effort Rubber, following a killing tire in a twisted slasher formula. The comic element aside, Dupieux knew what he was up to since the first minute,... More »
By Martin Kudlac   
  

Rotterdam 2015 Review: A PIGEON SAT ON A BRANCH REFLECTING ON EXISTENCE, A Masterpiece

Only a few living directors have achieved status in world cinema as Roy Andersson did. Calling him a cult director seems like a huge understatement, even though we are talking about a rather narrow body of work consisting of three features... More »
By Martin Kudlac   
  

Slamdance 2015 Review: CONCRETE LOVE, An Intimate, Immaculate Look At A Family Of Architects

We all wish to be immortalized in some way. To be remembered for something extraordinary or meaningful. Most of us will be remembered by the way we loved, who we loved and how we loved. It is what we do... More »
By Ben Umstead   
  

Sundance 2015 Review: H. Explores The Strange Dissonance Of Coupling

There's something strange in the waters of Troy, New York. Something life-changing in the skies. Some of us can see it, some of us can hear it. Some of us will wander into the woods to find it, leaving our... More »
By Ben Umstead   
  

Sundance 2015 Review: HELLIONS, A Monstrous Misstep

Hellions, Journeyman director Bruce McDonald's first foray into horror since 2008's slow-cooker Pontypool, is a maelstorm of horror traditions and tropes, good and bad alike. While the film is never boring for its constant barrage of evocative imagery, cacophonous score... More »
By Ben Umstead   
  

Review: TIMBUKTU, Dreamy, Harrowing, And Rewarding

It's to the credit of Malian (by-way-of Mauritania) director Abderrahmane Sissako that he manages at times to make even the most horrifying of human behaviour still, in some ways, darkly funny. Timbuktu is a story as desiccated as the landscape... More »
By Jason Gorber   
  

Rotterdam 2015 Review: GERMAN ANGST Is Not For The Squeamish

(An Anthology with a capital A for Abuse, Antisocials and Addiction...) This year, the International Film Festival Rotterdam has dedicated a section of its programme to surrealism, and questioning reality in cinema. The horror anthology German Angst is part of... More »
By Ard Vijn   
  

Review: SWISS FILM MUSIC ANTHOLOGY Has Arrived And It's Glorious

A few days ago at Les Journées de Soleure (a festival dedicated to Swiss cinema), SUISA Foundation unveiled an important anthology that fills a huge gap in the panorama of Swiss artistic achievements. Collaborating with the Swiss Film Archive and... More »
  

Sundance 2015 Review: LAST DAYS IN THE DESERT And The Closeness Of The Great Divide

Director Rodrigo García's minimalist Christ-centered parable on fathers and sons pivots the holy man as everyman and observer. It's an approach that feels of merit: one that ultimately doesn't see earth-bound humanity and a more intangible sense of spirituality as... More »
By Ben Umstead   
  

Review: Delightful Performances Make TEMPORARY FAMILY An Above Average Real Estate Comedy

Speculate on property. This is HK lifestyle!To speculate on property amid Hong Kong's rapidly changing real estate market conditions is to speculate on emotions, according to Cheuk Wan Chi's (aka Vincci/GC Goo Bi) Temporary Family, a simple but perfectly enjoyable... More »
By Patryk Czekaj   
  

Rotterdam 2015 Review: In STINKING HEAVEN Everything Rotten Is Good

We all live by rules. Whether they are personal choices to undertake or those put upon us by work or family, we live by them. But sometimes those rules can destroy us.Nathan Silver's fifth feature, Stinking Heaven, takes place in... More »
By Ben Umstead   
  
 
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