Review: WADJDA, A Young Girl's Quest For A Bicycle Unveils Saudi Arabian Society

From Vittorio De Sica to Pee-wee Herman, bicycles have been a source of motivation and inspiration for film artists who want their characters to take a journey of discovery. The latest example is the titular character in Haifa Al-Mansour's Wadjda,... More »
  

Fantastic Fest 2013 Review: GOLDBERG & EISENBERG Is Chilly, Funny Stalker Tension

It's too soon to tell whether Oren Carmi is Israel's answer to the Coen brothers, whom he lists among his influences, but his debut feature, the darkly comic Goldberg & Eisenberg, shows promise. I get the impression that a grim... More »
  

Fantastic Fest 2013: Navot Papushado Drunkenly Reviews Papushado And Keshales' BIG BAD WOLVES

17:00 and I'm sitting in the tent of the " Fantastic Fest " in Austin Texas just outside the world's coolest movie - Alamo Draft House. My stomach blows some good pounds of barbecued meat 's fine " Smith ."... More »
  

TIFF 2013 Review: Tahrir Doc THE SQUARE Is A Modern Masterpiece

Let's cut right to the chase - Jehane Noujaim's epic, astonishing documentary The Square is easily one of the most complex, most nuanced, and frankly most important documentaries made about the ongoing political developments in Egypt. Heck, I'll go further,... More »
  

ISF13 Review: INCH'ALLAH Covers An Incendiary Topic With A Long Fuse

Inch'Allah is a film that is already controversial. In its first session, playing as part of the Australian Israeli Film Festival, it has been pulled. A punter in Melbourne complained it was a propaganda film and biased against Israel in... More »
  

Review: THE ATTACK, A Sobering, Piercing Drama

The complicated situation in Israel, with its uneasy peace and frequent bursts of non-peace between Jews and Arabs, has given rise to numerous compelling stories, and will no doubt continue to do so for as long as there is conflict... More »
  

Cannes 2013 Review: Asghar Farhadi's THE PAST Is An Intense, Mesmerizing Excavation Of Secrets And Lies

Those who saw Asghar Farhadi's previous film A Separation already know that though the Iranian filmmaker specializes in two-plus hour family dramas, his movies are as intense and absorbing as any thriller out there. Like the aforementioned film, The Past... More »
  

MSPIFF 2013 Review: THESE BIRDS WALK Delivers Emotional Behind-The-Scenes Realism

Striking a poetic cord, These Birds Walk finds a symbiotic naturalism between those filming, newcomers Omar Mullick and Bassam Tariq, and those being filmed, the unwanted children of Pakistan. Pakistan, more than any other country, feels like an innocent bystander... More »
  

Tribeca 2013 Review: Who's Afraid Of The BIG BAD WOLVES?

Editor's Note: some would consider this review a spoiler, as it discusses the ending, although doesn't reveal what happens.There were audible groans as the credits rolled on the pre-festival screening of Big Bad Wolves. Without giving anything away, I imagine... More »
  

Review: LIKE SOMEONE IN LOVE Casts A Mysterious, Unsettling Spell In Tokyo

Like Someone in Love, the gorgeous, deeply mysterious and unsettling new film by Abbas Kiarostami, continues his return to narrative filmmaking, which began with Certified Copy, the Italy-set feature that marked his first outside his native Iran. Kiarostami's latest, which... More »
  

Review: HABIBI Is An Earnest If Familiar Love Story

Susan Youssef's first feature Habibi is an earnest if not entirely impressive tale of forbidden love set in Israeli-occupied Palestine. While the film does stir and touch at appropriate moments, the threads of a tried-and-true narrative ultimately fail to come... More »
  

Telluride 2012 Review: THE ATTACK Pierces Middle-Eastern Conflicts

The complicated situation in Israel, with its uneasy peace and frequent bursts of non-peace between Jews and Arabs, has given rise to numerous compelling stories, and will no doubt continue to do so for as long as there is conflict... More »
  

Review: FOOTNOTE achieves moving feats of note

What is it to love your enemy? That's not a question I hear very often at the movies. That's a question I hear at church. It's been said that the two, movie going and church going, aren't as different as... More »
By Jim Tudor   
  

Series Preview: New Directors/New Films Offers Up a Feast of Fresh Cinematic Treats

2012 marks the 41st year in which The Film Society of Lincoln Center and The Museum of Modern Art present to New York City audiences an intriguing and exciting new set of films and filmmakers from across the globe in... More »
  

Series Preview: Nina Menkes Retro at New York's Anthology Film Archives

"It took me a long time to understand my own film." That's writer-director Nina Menkes on what may be her best known work, The Bloody Child (1996). To say that it uses reverse-chronology to tell the based-on-true-events tale of a... More »
  

THIS IS NOT A FILM Review

This is Not a Film is not a film. Not in a conventional sense anyway. Rather, it's a 75-minute documentation of an idling film director who has been banned from filmmaking, screenwriting, leaving the country and giving interviews for... More »
  

Twitch Takes an In-Depth Look at Foreign Language Oscar Submissions

This year, 63 countries submitted films to the Academy for award consideration as Best Foreign Language Film . Very few of these have played in US as of yet and some with only limited qualifying runs in their home countries.... More »
  

NYFF 2011: Team Twitch Wraps Up: Part 2

Aannd we're back with part 2 of Peter Gutierrez and Aaron Krasnov's wrap up of the 49th annual New York Film Festival. Part 1 can be found here. And now... a veritable NYFF blow-out with the dynamic duo dropping some... More »
  

Daggers: The Short Festival Of Short Horror: A Preview

If you're in NYC and reading this then you will most definitely want to consider heading out this Thursday, the 20th, or Saturday, the 22nd to the Museum of Arts and Design (MAD) for the third edition of Daggers: The... More »
  

TIFF 2011: THIS IS NOT A FILM

This Is Not A Film (Mojtaba Mirtahmasb, 2011). The amount of humor in Jafar Panahi and Mojtaba Mirtahmasb's hybrid effort is surprising, especially in light of the serious and well-publicized censure of Panahi's filmmaking by Iranian authorities. But perhaps there... More »
  
 
  Next »
Page 1 of 4
‚Äč