Internationl Reviews - Foreign, Overseas

Black Nights 2015 Review: DAWN, A Surreal Image Of Soviet Life

Tales of mythic figures, particularly those whose myth is perpetuated by governments, are ripe fodder for film. This can be especially interesting if someone like myself is ignorant of said mythic figure. Such is the case with Dawn, Laila Pakalnina's... More »

Black Nights 2015 Review: THANK YOU FOR BOMBING Shines a Critical Light on War Reporting

War correspondants can be mythic figures, something of romantic heroes. They go to dangerous places in order to bring us the truth. It's been said that it was the reporter's stories that helped begin protests against the Vietnam War; although... More »

Black Nights 2015 Review: BODY, The Connection Between Flesh and Spirit

Malgorzata Szumowska's previous films (Elles, In the Name Of) have looked at the conflict between mind and body, in a darkly serious tone. In her latest film Body (which won the Silver Bear for Best Director at Berlinale), she again... More »

Black Nights 2015 Review: DON'T LOOK AT ME THAT WAY Asks Much, Answers Little

Most stories are about love: falling in love, falling out of love, betrayal, passion, death. And often, there is a good lover and a bad lover, or at least, someone with whom the audience is supposed to share perspective. But... More »

Black Nights 2015 Review: GHOST MOUNTAINEER, The Scariest Stories Are True

Growing up in Canada, you develop a healthy respect for the cold, when you could die just from being caught outside, not to mention activities that could have you buried under snow, or trapped in places with no civilization for... More »

Black Nights 2015 Review: THE BRIDE, Love In The Ruins

Federico García Lorca's play Blood Wedding has been popular for over 80 years, for its level of drama akin to Greek tragedy, blood feuds between families, and one woman caught between two men she loves. In The Bride, Paula Ortiz... More »

Review: COURTED Finds Humour Without A Trial

Winner of the Best Actor and Best Screenplay awards at this year's Venice Film Festival, Christian Vincent's dryly comic courtroom drama was selected as the opening film for the 44th Hong Kong French Cinepanorama on 18 November. Michel Racine (Fabrice Luchini)... More »
By James Marsh   

Review: LEGEND, The Full Package, Including Two Killer Roles For Tom Hardy

From his star-making role in Bronson to his box office busting turn in Mad Max: Fury Road, Tom Hardy has quickly established himself as one of the most bankable and most well respected actors working today. So what could be... More »
By Ryland Aldrich   

Blu-ray Review: SHORT NIGHT OF GLASS DOLLS From Camera Obscura (Ger)

Camera Obscura is one of the finest cult home video labels that most people have never heard of. Over the last three or four years TwitchFilm has been fortunate to jump on board the Camera Obscura train to see them grow... More »
By J Hurtado   

Warsaw 2015 Review: THE RUSSIAN WOODPECKER, A Doc With Strong Storytelling And Wild Ideas

Chad Gracia's documentary boasts a title that could be misleadingly attributed to a newly devised coital constellation or a daunting and supposedly nasty mob technique. Neither of the two is a close call, as The Russian Woodpecker refers to a... More »
By Martin Kudlac   

Review: THE WONDERS, A Poetic Realist Portrait Of Painful Adolescence

The Wonders (Le meraviglie) is a poetic realist portrait of painful adolescence. Director Alice Rohrwacher tells a slight coming of age tale infused with melancholy, hardship but not without a sense of beauty. Gone is the Italy of opulence and... More »
By Ben Croll   

Review: LOVE, Much More Than A Gimmick

Gaspar Noé. For some even the name sends shudders. Thoughts of the visually bombastic Enter the Void cause a kind of PTSD, and his Irreversable still haunts some 13 years on. The Argentine-born, France-based director occupies a unique and... More »
By Jason Gorber   

Now on Blu-ray: DER TODESKING And ANGST From Cult Epics

Cult Epics is one of the most under-appreciated cult home video labels haunting video store shelves these days.The label's owner, Nico B., has turned his company an essential source for hard-edged avant garde horror and splatter of yesteryear with releases... More »
By Charlie Hobbs   

Review: VICTORIA, The Year's Most Immersive Film

"You just had to be there." In a post-FOMO (fear of missing out) age this phrase is tantamount to death. "You just had to be there." It's what I said to Twitch Editor Ben Umstead as we walked out of... More »

Hamburg 2015 Review: THE TREASURE, Or, How To Love An Illusion

Corneliu Porumboiu, the Éric Rohmer of Romania's Nouvelle Vague, is Europe's answer to Hong Sang-soo. Where to go from such a first sentence? We will see. What about The Treasure, his latest exercise in time? We talk about the time... More »

Review: REGRESSION, How the Mighty Have Fallen

Back in the 1990s, Alejandro Amenábar was part of the incredible new wave of Spanish fantastic cinema. His first feature, Thesis, was a Hitchcock-style thriller about snuff films that was creepy and sexy; his second, Open Your Eyes, a subtle sci-fi... More »

Reykjavik 2015 Review: SPARROWS Soars

Coming-of-age movies, like most easy-to-pigeonhole narrative genres, are tough things to get right. The structure is fraught with danger in the form of maudlin stereotypes that make the whole thing feel trite - the child-into-a-man tale that may be... More »
By Jason Gorber   

New York 2015 Review: MIA MADRE Is An Elegant And Deeply Personal Film

Nanni Moretti's latest film, Mia Madre, is elegant, understated, and discreetly moving. A personal, if not autobiographical film, Mia Madre chronicles the slow death of a filmmaker's mother as the director struggles to complete her movie. Moretti experienced the hospitalization... More »
By Teresa Nieman   

New York 2015 Review: Miguel Gomes' ARABIAN NIGHTS, Cinematic Highlight Of The Year

The last time I talked with Miguel Gomes, the subject of our conversation was not about his latest film, Tabu, but almost exclusively about the impact of the devastating austerity measure by the Portuguese government on the Portuguese film community... More »
By Dustin Chang   

New York 2015 Review: LES COWBOYS, Wild West Tensions In Modern France

Thomas Bidegain's film, Les Cowboys, begins in a strange key, with a nuclear French family spending the day at an American Western-themed rodeo (not that there's any other real kind). It's clearly no casual affair for them, but a practiced... More »
By Teresa Nieman   
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