Jaime Grijalba Gomez
Chile, Santiago de Chile

I live in Chile and I want to make movies. In the meantime, I write about them.

Full Disclosure 2014 The Directors Cut: Alfred Hitchcock

This month, the Master of Suspense himself, Alfred Hitchcock would have been celebrating his 115th birthday. But while he shuffled off his mortal coil back in 1980, his legacy remains as healthy as ever thanks to a hugely innovative, influential,... More »
  

Review: THE SUMMER OF FLYING FISH Tries To Tackle A Centuries Old Conflict

The year 2013 was a special one for Chilean cinema, I talked about it in my list of the best Chilean movies of 2013 that I posted here on Twitch. One of the main reasons was the amount of films from... More »
  

Review: ROOT (RAIZ) Is Somewhat Literal In Its Symbology

The winner of the Chilean Competition in last year's Valdivia Film Festival, Raíz (Root) managed not only to get chosen to participate in many festivals from Latin America and beyond, but also snagged a Chilean distribution deal, something that doesn't... More »
  

Latin Beat: Chile's FLYING FISH And RUIZ, Terror Fest Peru, Mexico's Triumph

What is happening in Latin America? We have mini-reports from three of our expert correspondents who live in Chile, Peru, and Mexico. First up, we have news on the two latest local films opening in Chile -- reviews for both are... More »
  

Review: THE MAGNETIC TREE Attracts, But Fails To Surprise

This Spanish-Chilean co-production was among the most lauded of the Valdivia Film Festival last year. Though it failed to win any official festival prizes, The Magnetic Tree (El árbol magnético) was easily one of the most spoken-about movies. It managed... More »
  

Full Disclosure 2014 The Directors Cut: Ingmar Bergman

As most of the world suffers through the sweltering heat of summer, we head to the bleak and wintry climes of Sweden for this month's Full Disclosure. Each month, we focus on a different filmmaking force of world cinema and... More »
  

FIDOCS 2014 Review: THE WALTZ OF THE USELESS Is An Accurate Chronicle That Lacks Focus

Personally, I think that the sign of a good documentary is when it sets out to "document" something and lays out the facts in the ground in a clear and proper fashion, either it be through interviews, narrations, or whatever... More »
  

FIDOCS 2014 Review: TIMOTEO'S FABULOUS RAGGED CIRCUS, A True Crowd Pleaser

FIDOCS (Festival Internacional Documentales Santiago Chile) has always been a showcase of the best documentary output that the world has to offer. At the same time it has managed to always choose the best documentaries that will have Chile talk for... More »
  

Full Disclosure 2014 The Directors Cut: Tony Scott

Every month on Full Disclosure, we select a filmmaker who is or would be celebrating their birthday, and use that as an excellent excuse to throw the spotlight on them and their career. Members of Team Twitch seek out a... More »
  

FIDOCS 2014 Review: PROPAGANDA Is Ultimately Universal

FIDOCS is one of the most important film festivals in Chile, as it's maybe one of the finest venues for documentaries from Chile and the world to be featured and seen in one week. Propaganda is a difficult film, due... More »
  

Latin Beat: Chile's EL INCONTROLABLE MUNDO DEL AZAR, Peru's PERRO GUARDIAN, Mexico's WORKERS

What's happening lately with genre films in Latin America? Our contributing writers in Chile, Peru, and Mexico tell us about, respectively: (1) a new comedy that bears more than a passing resemblance to a Wes Anderson joint; (2) a gritty thriller... More »
  

Latin Beat: AFTERSHOCK In Chile, John Ford In Mexico, Brazil's BOY AND THE WORLD Trailer

In the latest edition of our bi-weekly Latin Beat column, we take a look at upcoming releases in Chile, and also share a peek at documentary festival FIDOCS. We have two reports from Mexico, one on the film festival Distrital's... More »
  

Full Disclosure 2014 The Directors Cut: Orson Welles

For the month of May, Twitch commemorates what would have been the great Orson Welles' 99th birthday by putting his career under the spotlight. In Full Disclosure, we take the filmography of a revered filmmaker each month and then select... More »
  

Review: LAS ANALFABETAS (Illiterate), A Filmed Play That Remains Stage-Bound

Paulina García has become one of the most recognizable faces in Chilean cinema around the world, especially after starring in Gloria, which had a successful festival and theatrical run in 2013 and 2014. Now she is the protagonist of this new... More »
  

Latin Beat: Mexico's Feratum Announces First Details, Peru's A LOS 40 Breaks Records, Chile's Festival Darling

Our writers in Latin America update us on what's happening in their respective territories in this edition of Latin Beat: A genre festival in Mexico announces its first details, a new local film is breaking records in Peru, and a... More »
  

Review: NERUDA Is An Innoble Biopic Of The Nobel Prize Winner

I've seen practically every Chilean feature film that has been released so far to theaters, and I must say that, in a year that has had many terrible movies so far, Neruda is by far the worst because of how... More »
  

Review: MUCH BETTER THAN YOU Is The Best Latin American Sex Comedy Of The Decade

It's maybe the first time in the history of Chilean cinema that a sequel works and might even be considered superior to the first film of a projected series. In this case, the original film by young director Che Sandoval... More »
  

Latin Beat: Chile's SOY MUCHO MEJOR QUE VOS, Mexico's EL INCIDENTE

Welcome to the first edition of Latin Beat! I'll be your host, spearheading a collection of news, notes, and other sundry items of interest to our worldwide readership, featuring contributions from our team of writers located throughout Latin America. We... More »
  

Full Disclosure 2014 The Directors Cut: Claire Denis

In 2014, Full Disclosure is turning its focus on the filmography of a different celebrated filmmaker each month, and challenging our writers to seek out something new to watch and consider from their sizeable oeuvres. This month welcomes the first... More »
  

Review: PATAGONIA OF DREAMS Gets The Period Right, But The Looks Wrong

Chilean cinema has been the talk of the town in film festivals lately. That's notably the case since Sebastián Silva managed to make not one, but two films with Michael Cera, as well as the selection of Pablo Lorrain (director of... More »
  
 
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