Toronto After Dark Is FIVE YEARS YOUNG And Chris Nash Has A Special Present.

The Toronto After Dark Festival turned five this year and to celebrate some favored film makers from years past have created a trio of new 'bumpers' for the festival this year. Opening night saw the first appearance of this bumpers,... More »

By Todd Brown

Leading Voices in Global Cinema

Todd Brown, Founder & Editor Toronto
Peter Martin, Managing Editor Dallas
Ryland Aldrich, Festivals Editor Los Angeles
James Marsh, Asian Editor Hong Kong
Brian Clark, European Editor Paris

China Beat: What did China See in IRON MAN 3?

Much has already been written, both on these pages and many others, about the landmark Hollywood-China co-production that is Marvel and DMG Entertainment's Iron Man 3. The film, directed by Shane Black, is the third solo outing for Robert Downey Jr's Tony Stark, and has proved a phenomenal success around... More »

FEAR & LOATHING AT CANNES, PART 2: I'M IN LOVE WITH EVERYBODY'S GIRL

CHAPTER 4: THE PHILOSOPHY OF ANNA KARINA AND BUTT PLUGSI'm sitting outside at a small Café that my editor told me to meet him at. I'm a 10 minute walk from the Marche Du Film convention hall and I'm still waiting for my editor to arrive so he take guide... More »

CINEMA HOLOCAUST ON THE FRENCH RIVIERA, PART 1: THOSE GOD DAMN FILM BLOGGERS

MIKE'S JOURNAL. MAY 13. MORNINGI wake up sometime around five AM. My flight to France doesn't leave until five PM. I should be there for security check in sometime around 3PM. There is no reason for me to be up this early but I'm feeling anxious. I have an itch... More »

FEAR & LOATHING AT CANNES, PART 1: A MAN'S HANDSHAKE SAYS EVERYTHING

CHAPTER ONE: THE BIGGER THE SIDEBURNS, THE BIGGER THE ASSHOLE. I've hit the big time now. I've finally made it. I'm in like Flint from here on out. I'm boarding a plane to France where I'll be attending the Cannes Film Festival for the first time.No more unpaid blogging from... More »

Destroy All Monsters: Leo DiCaprio and the Myth of the Chick Flick

I have a running argument about whether or not movie box office is a zero-sum game. I tend to attack film earning potential from the "mother of two" perspective - which is that while yes, it's nice to believe that if a film is good it has a theoretically unlimited... More »

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