Morbido Fest 2014 Review: FEED THE LIGHT, Beware The Sparkling Dust

Never separate a mother from her child. Sara is torn away from her daughter Jenny in the opening minutes of Feed the Light, a new film by Swedish director Henrik Möller that teeters between bad dreams and outright nightmares. Still... More »
  

SAIFF 2014 Review: DUKHTAR Exposes The Deadly Binds That Tie Together Tribal Pakistan

South Asian cinema has come to the point at which the international community has begun to take closer notice. Films, the vast majority of which hail from India's burgeoning Hindi independent cinema, are appearing on international film festival rosters at... More »
By J Hurtado   
  

Cairo 2014 Review: MELBOURNE, An Intense Domestic Suspense

One of the most gripping films I've seen in ages, Nima Javidi's fiction feature debut Melbourne just won the Golden Pyramid for Best Film at the Cairo International Film Festival, and deservedly so. It proves that you don't need an... More »
  

Cairo 2014 Review: JOY OF MAN'S DESIRING, The Poetry of Work

While many factory jobs have moved to countries like Mexico or China, Canada still has its fair share of manufacturing. Most of us probably don't think about where many of our goods come from, or the difficult and often... More »
  

Morbido Fest 2014 Review: TEKUANI THE GOLDEN GOD, A Psychological Drama With Supernatural Overtones

In the Mexican film Tekuani: The Golden God (aka Tekuani, The Guardian) three friends who work together as independent rescue workers are having a rough go of it. They help people who are trapped underground or in remote regions of... More »
  

Los Cabos 2014 Review: THULETUVALU Showcases The Consequences Of Global Warming

The documentary ThuleTuvalu is here to connect the Pacific Ocean island Tuvalu with the small town of Thule in northern Greenland. Never as visceral as the doc Leviathan, though still quite graphic, Matthias von Gunten's effort firstly exposes the world... More »
  

Cairo 2014 Review: SAND DOLLARS, Bodies in Tempetuous Love

Most people would probably like to think that, when it comes to love, we get wiser as we get older, more able to tell who truly loves us and who is using us. But sometimes that chemical reaction takes over,... More »
  

Five Flavours 2014 Review: Handsomely Shot 2030 Sinks Under The Weight Of Its Own Ambitions

Second time Vietnamese helmer Nguyen-Vo Nghiem-Minh makes a come back on the international festival circuit with 2030 (Nuoc), a film that conspicuously defies easy categorization by melding elements of a romantic triangle drama, murder mystery, and eco-conscious sci-fi thriller. Originally... More »
  

SAIFF 2014 Review: X - PAST IS PRESENT Is A Look At Love Through 11 Pairs Of Eyes

We've all done it.We've all sat in the ruins of a destroyed relationship and wondered where exactly we went wrong. We've all become flush at the prospect of a new romance and felt our hearts flutter at the endless possibilities... More »
By J Hurtado   
  

Cairo 2014 Review: DECOR, A Modern Meta-Twist on the 'Woman's Picture'

Maha and her husband Sherif are talented set designers, who have been hired to work on their first commercial film (as oppose to the independent, art house films they usually prefer). On the first day of shooting, when Maha is... More »
  

Lisbon & Estoril 2014 Review: Abel Ferrara's PASOLINI Hits Some, Misses Some

Abel Ferrara's take on Pier Paolo Pasolini's life (more than his career as a filmmaker, poet or philosopher) is the breed of biopic that seems modest and straightforward enough to make up for its obvious shortcomings. Its modesty comes from... More »
  

Cairo 2014 Review: SILVERED WATER, SYRIA SELF PORTRAIT Will Break Your Heart

We often see fleeting images of war and its victims, or brief scenes of torture on the news, but these are often presented in a sensational way, or sometimes sanitized, or more than often, ignored if they are happening in... More »
  

Cairo 2014 Review: A CINEMA OF DISCONTENT Deftly Explores Censorship

I'm sure many cinephiles are familiar with the Motion Picture Production Code, used by Hollywood in the mid-20th century to govern 'morality' in films. A self-imposed censorship, it banned any sexual acts beyond kissing, excessive violence, profanity, and many other... More »
  

Cairo 2014 Review: THE BOY AND THE WORLD, Wonderous Animation and Storytelling

Within the first few frames, it's easy to see why The Boy and The World won both Best Feature and the audience award at Annecy International Animated Film Festival, considered to be the most important of its kind. This is... More »
  

AFI Fest 2014 Review: 10,000 KM And The Space Between

10,000 KM is a film that knows exactly what it means to be in a long distance relationship. Having lived through one himself, director Carlos Marques-Marcet ingeniously communicates the experience through a minimalism that tugs at the heartstrings far... More »
By Zach Gayne   
  

Cairo 2014 Review: QUEEN AND COUNTRY, Funny and Heartfelt Nostalgia

John Boorman's 1987 film Hope and Glory, about the London Blitz seen through the eyes of a nine-year-old boy, is a favourite in the Rowan-Legg household (seriously, we can all quote it almost verbatim to the point of annoying guests).... More »
  

Los Cabos 2014 Review: FOR THOSE ABOUT TO ROCK: THE STORY OF RODRIGO Y GABRIELA Salutes The Mexican Guitar Duo

For Those About to Rock: The Story of Rodrigo y Gabriela is a straight celebration of Mexican guitar duo Rodrigo and Gabriela, going from their origins in Mexico City to their eventual worldwide success. Mexican journalist and the documentary's director... More »
  

St. Louis 2014 Review: THE MAKINGS OF YOU Makes A Noteworthy Debut

Whenever Hollywood comes to St. Louis, Missouri (my hometown) the filmmakers are inevitably bowled over by the architecture, the vibe, and the sheer possibilities the city has to offer in terms of diverse filming locations. In the past few decades,... More »
By Jim Tudor   
  

Cairo 2014 Review: THE CHALLAT OF TUNIS, Brilliant And Disturbing Satire

The words 'satire' and 'mockumentary', when referring to films, might automatically be thought to reference humour. But there is no humour, except very dark, in director Kaouther Ben Hania's brilliant The Challat of Tunis. It is a searing portrait of... More »
  

Cairo 2014 Review: THE CUT, A Good Epic Journey

With the exception of Atom Egoyan's Ararat, the Armenian Genocide has not had much attention in Western cinema. German-Turkish filmmaker Fatih Akin, whose previous films have often looked at issues of the marginalized, transnational cultures and violence, attempts to tackle... More »
  
 
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