FRIGHTFEST 2011: A LONELY PLACE TO DIE

A Lonely Place To Die opens with that obligatory staple of the mountain climbing flick - what I call the 'Cliffhanger moment'. Beautiful landscape, exhilarating climb, assorted friends with different abilities (and agendas). Then, before you can say 'woah', gravity... More »

By James Dennis

Leading Voices in Global Cinema

Todd Brown, Founder & Editor Toronto
Peter Martin, Managing Editor Dallas
Ryland Aldrich, Festivals Editor Los Angeles
James Marsh, Asian Editor Hong Kong
Brian Clark, European Editor Paris

Destroy All Monsters: I Think We've Been This Way Before, Mr. Spock

They can remember it for you wholesale, and they do. At some point, we licensed our pop cultural nostalgia to a handful of multinational conglomerates (well, to be fair, they always owned the licenses) and now they're selling them back to us - though, I guess, not at wholesale, but... More »

Interview: Twitch Talks to HANGOVER III's Ken Jeong

Ken Jeong may often play a lunatic on both big and small screen, but in person it's quite disarming to see just how calm and considerate he comes across. While he got his big screen start in Judd Apatow's Knocked Up, Jeong's real breakthrough was taking a small-on-paper role... More »

Hollywood Beat: Notes On Cutting The Cord And NBC's Genre Programs

I cut the cable cord last year, but I'm not always happy about it. I had to wait a year before seeing Season 2 of Game of Thrones, for example, and will have to wait to see Season 3 until next year. I only have to wait to see Mad... More »

Twitchvision: Talking STAR TREK: INTO DARKNESS, MUD and THE ICEMAN

Another Twitchvision chat with Scott Laurie, this time me gushing about J.J.'s latest Star Trek film, which I unabashedly loved.Also talked about he fabbo Mud, and the less fabbo The Iceman, both with Michael Shannon doing his thing.Video embedded below.Update: Was asked to come in today and pick a few... More »

Learning from the Masters of Cinema: Henri-Georges Clouzot's THE MURDERER LIVES AT 21

While Henri-Georges Clouzot is best remembered for many of his later films, including The Wages of Fear and Diabolique, the French filmmaker's 1942 debut has gone largely unseen by Western audiences until now. The Murderer Lives at 21 (L'Assassin Habite au 21), based on the novel by Belgian author Stanislas-Andre... More »

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