Macabro 2014 Review: Leopoldo Laborde's PIEL ROTA, No-Budget Horror At Its Best

Leopoldo Laborde is a veteran Mexican guerrilla filmmaker. Piel Rota his 19th production. It world premiered at Macabro 2014 and it is another no budget movie, but one in which you can see the director's experience of 20+ years reflected... More »
  

Review: Great Performances And A Gritty Ending Make THE QUISPE GIRLS A Must See

One of the most anticipated Chilean movies of last year was this particular approach and almost austere way of film-making that was The Quispe Girls, but no film festival in Chile managed to snag it in 2013. Being selected in... More »
  

Review: THE MAZE RUNNER Will Find Its Way To The Right Audience

The Maze Runner is yet another young adult trilogy that has been adapted to film. Similar themes of science fiction and dystopia that are rife in The Hunger Games and Divergent films are on full display here. Despite all... More »
  

Review: THE ZERO THEOREM, A Step Back Into The Future

In Terry Gilliam's The Zero Theorem, the old master of visual overload and absurd humor heads back to his "Brazilian" roots. He tells the story of Qohen Leth, a schizophrenic futuristic data mathematician trying to find a solution for the... More »
  

Toronto 2014 Review: ST. VINCENT Delivers Vintage Bill Murray

Not everybody watches quite as many films as some of us. There are those where getting out to a theatre isn't a weekly (or, in my case, daily) occurrence, where the schlepp of getting there, standing in line, getting... More »
  

Review: CANTINFLAS, A Romanticized Biopic

Actor Óscar Jaenada might be Spanish but he was the perfect choice to play the role of Mario Moreno, also known as "Cantinflas," one of Mexico's most beloved and legendary comedians. In Sebastián del Amo's Cantinflas, Jaenada delivers a performance... More »
  

Review: THE GUEST, More Magnificent Midnight Madness

With last year's release of You're Next and contributions to the V/H/S and ABCs of Death horror anthologies, director-writer duo Adam Wingard and Simon Barrett are quickly becoming two of the most exciting filmmakers working in the genre space right... More »
  

AI WEIWEI THE FAKE CASE: Out Now On VOD

Danish director Andreas Johnsen's documentary Ai Weiwei The Fake Case follows the acclaimed Chinese artist from his release after an 81-day internment, through his house arrest, and his fight against trumped up tax fraud charges by the Chinese Government. The... More »
  

Blu-ray Review: THE DEVIL IS A PART-TIMER Delivers Funny Anime-Fast-Food

(If you thought curly fries were the most twisted thing in fast food, think again...) This week, the hit anime The Devil is a Part-Timer will be released in Australia and New Zealand, courtesy of local distributor Siren Visual. Known... More »
By Ard Vijn   
  

Toronto 2014 Review: WHILE WE'RE YOUNG Is Too Proud Of Being Old

It pains me to give a Noah Baumbach film anything less than a glowing review, especially considering there is so much that works about his new film, While We're Young. The premise is his most appealing to date, which, at a glance,... More »
By Zach Gayne   
  

Review: DOCTOR WHO S8E04, LISTEN (Or, The Doctor Has A Question, Clara Has A Date, Both Go To The End Of The Universe)

"Listen" is Doctor Who at its best. And its scariest. The show hasn't been this terrifying in a while, and Steven Moffat's episode manages to have a bit of everything you could possibly want. It's gripping, funny and tense, providing... More »
  

Toronto 2014 Review: THE LOOK OF SILENCE Is A Film For The Ages

Since I saw it back at the 2012 Toronto International Film Festival, Joshua Oppenheimer's The Act Of Killing has lived up to my early impression - that the work is truly one of the great films of all time,... More »
  

Toronto 2014 Review: THE EDITOR Is Eager To Please

The directors of The Editor, Adam Brooks and Matthew Kennedy, along with the rest of their cohorts from VHS-obsessed Winnipeg film collective Astron-6, must have been mighty pissed when they caught wind of Berberian Sound Studio. Peter Strickland's 2012 film was... More »
  

Toronto 2014 Review: THE VOICES, Silly And Schizoid

It's days after I saw it, and I still haven't decided if Marjane Satrapi's The Voices is sublime or shit. I think, frankly, that it's an unholy combination of both, a mess of a film that still has moments... More »
  

Review: THE MAN ON HER MIND Can't Imagine Rom-Com Success

In the world of "indie filmmaking," there are some pretty readily identifiable tiers. There is, of course, the Sony Pictures Classics level of indies - the kind of films with budgets reaching well into the millions, featuring recognizable stars and often... More »
By Jim Tudor   
  

Toronto 2014 Review: LEVIATHAN Takes A Gorgeous And Savage Look At Modern Russia

A rundown fishing town on the coast of the Arctic Ocean is the rugged edge-of-the-world stage for Andrey Zvyagintsev's complex, but quite accessible, new film. There is a visual mastery of relating wide open natural spaces, with precise man-made interiors, present... More »
  

L'Etrange 2014 Review: THE TRIBE, No Sound, But A Whole Lot Of Fury

Not one word of dialogue is spoken in director Myroslav Slaboshpytskiy's The Tribe, a stark Ukrainian drama that mixes gang thriller with boarding school intrigue, and pushes the maxim 'show don't tell' into brutal new extremes. The film presents a... More »
By Ben Croll   
  

Review: HONEYMOON, All Parts Scare

From Honeymoon's opening montage of our newlywed couple reminiscing about falling in love, you might think you are settling in for romantic drama about the challenges of starting a life together. You'd be wrong. While plenty of challenges await our... More »
  

Review: AT THE DEVIL'S DOOR, Quiet Horror With A Touch Of The Creepy Crazy

A teenage girl in love with a teenage boy plays a cryptic game. A twenty-something woman goes about her rounds as a real estate agent in a depressed market, then visits her younger sister, a depressed artist. These three women... More »
  

Toronto 2014 Review: '71 Is A Remarkably Assured, Emotionally Powerful Debut

Yann Demange is very clearly a filmmaker who knows what sort of stories he wants to tell and how he wants to tell them. The sort who clearly knows his own skill set, how to best put it to use,... More »
By Todd Brown   
  
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